Trisha Brown
[2023-05-30 03:28:25]
"Setup and Reset" 1985 by Trisha Brown by Brown and a member of her company. Elizabeth Jimmer wrote to Brown, "The body is moving.
Trisha Brown (1936-) choreographed the dance, neglected gravity, satisfied intelligence, and at the same time entertained the eyes. Brown, as a founding member of the Judson Dance Theater and Grand Union, first explored the idea of discontinuation at Trillium (1962). To create an infinite creative repertoire, she has worked on improvisation, logical structure, verbal script, task and problem solving strategy, unusual space, post modern aesthetics and opera scores. Trisha Brown was founded in 1970. Her equipment experiment led Roof Piece (1971) installed in 12 blocks on the roof of Manhattan. In the same year, she created accumulation, deep-rooted solo and monologue. By 1978, this work has been accumulated by Talking Plus Water Motor, which connects two dances and stories that speak at the same time. If you can not see me, a similar shift will be presented, the solo for the front goes into the duet with Brown and Mikhail Varnikov, you can see us (1996) . Many of her collaborations include requests by composers such as Glacial Decoy (1979), Robert Rauschenberg, Opal Loop (1980), Fujiko's fog sculpture cloud device # 72513, and composers such as Laurie Anderson, Peter Zummo and Richard Landry included. Among the many international honors are the Dance Magazine Award (1987), Lawrence Olivier Award (1987), Chevalier dans l'Ordre des Arts et des Lettres (1988). Brown was appointed president of the National Arts Council in 1994 by President Clinton.
Lisa Klaus is a curator of Trisha Brown (as seen in the left end of this picture): in the new body. She danced for Trisha Brown from 1977 to 1982, then transferred Brown 's dance to other companies, and she continues to do so today. She wrote a wide range on dance, curated Bryn Mawr Academy's performing arts series and created thinkingDANCE (thinkingdance.net) which is an important report on dance. This is an improvisation performance by the legendary theater company of 1975, and Trisha Brown folds, twists and stretches her joints while chasing the invisible building around her. My first response was not to understand. This is not like a dance that I have seen before. But the show was always with me - two years later, I am still a member of Trisha Brown Dance Company.
Meanwhile, I heard that 76-year-old Brown is talking to colleagues in front of me that he resigned Trisha Brown Dance Company's artistic director. Two of the five dances that were held tonight are new, and they will be her last. "She did not go well," the woman said in front of me, as if Brown were their personal friends, her companions shook her head sadly It was. Now, big industrial fans are appearing. It seems that the dancer is wearing a karate costume. The same dance is ongoing. There is no painting this time. There is a person playing something that sounds like a banana on the piano. In the crowd, several aspects are overwhelmed by the light of the iPhone, which seems to be harmful to the future of goodwill and boredom. I am very worried. But when I accepted all of the audience - I stretched my neck and saw everyone in the house crowded - most people were eagerly looking, and the eyes had either heart I passed through.
With this spirit, I will end with one beginning. Trisha Brown Dance Company has started a new series called In Plain Site. For medical reasons, Trisha left a new job in 2011, under the direction of Diane and another deputy art director, Carolyn Lucas, the company took a prospect's heritage tour for three years. Currently, not only early works suitable for museums, galleries, outdoor etc., but also fragments of front end works are exhibited. This is somewhat similar to "Activity" of Merce Cunningham. It is customized according to each space. This month at the Hirano site, I came to Newcast City River Festival River, Jerusalem etc. (Please clear the calendar)