Plot Analysis of "Young Goodman Brown" and "No Country For Old Men"

The story of Nathaniel Hawthorne Young Goodman Brown depicts a man with an inner desire to experience the forbidden forest and maintain his reputation as a "honest and honest Christian." In contrast, this internal conflict also appeared in the movie "senior citizen" supervised by the Cohen brothers. In the movie, the main character Llewellyn Moss is facing an ethical dilemma, and despite his wrong decision, he still tries to maintain his values ​​and personality.

Goodman Brown: Type and Plot Goodman Brown: A story with a relatively short length (500 to 20,000 words in length) of prose novels characterized by short stories. All parts, plots, structures, characters, scenes, and emotions have more uniformity and compression. In the story that we are thinking, the situation is like this. Goodman Brown just married on the evening of the age of 17 is preparing to leave his house to Salem, Massachusetts. , His beautiful young bride, believe and go into the forest, spend a task he does not reveal

Puritan man, when young Goodman Brown crossed the forest, he highlighted the young Goodman Brown's potential (potential significance). During his trip, the young Goodman Brown encountered a man and finally gave a snake staff. Coincidentally, Young Goodman Brown met some people he knew from society. When drawing a man who used a snake as an employee as a devil, the young Goodman Brown noticed that many people around him are sinners. This led Young Goodman Brown to question decent people around him. This shows how Nathanial Hawthorne uses a hidden dark image as the potential of Young Goodman Brown.

Development of young Goodman's plot Brown's young Goodman Brown appeared on the street of Salem village at sunset, but after crossing the threshold, he turned his head to exchange a farewell kiss with a young wife. As the wife was correctly named, faith pushed her beautiful head into the street, and when she called Phone, he blew the pink ribbon of the hat in the wind. - According to Aristotle, the thrust behind the tragic work is not the development of the character but the formation of a specific plot structure. Aristotle believes that the purpose of all art is to imitate life and that humans live their lives through events and behaviors. He helps the role advance the event line and believes that the role itself is not central. The view of Aristotle's tragedy mainly develops around "King Oedipus" of Sofokuru, which Aristotle called "a perfect tragedy".