Rip's Dream

Rip's dream (French: LaLégendede RipVan Vinckle [sic]) is a 1905 French silent movie by Georges Méliès.

Rip's Dream is based on two sources: the story of Washington Irving's original "Rip Van Winkle", and the lyric version of 1882 Rip Van Winkle (Robert Planquette and Henri Meil ​​hac, Philippe Gille, Henry Brougham Farnie). Opera). Marys created two elements of her mysterious snake and idiot in the village. [2]

Méliès plays Rip himself. His son Andr appeared in a village with big lanterns. [2] (Lip lanterns of Rip's friends are actually celebrations of the Lantern Festival, the initials are clearly marked in RF used in the French Republic.) [2]

Like many movies Mercedes filmed around 1905, Rip's dreams are drama shining. Some of Merce 's early major movies such as "Impossible voyage" and "Queen of the Queen" are experimenting with the innovative movie continuity technique, but these later movies are behind the scenes It is based entirely on the tradition that is transmitted. [3] According to André Méliès, this serpent is a "small tool" the father brought back from the UK, working with wires and springs. The snake farm is done on a sloping stage to see the movement of the gadget more clearly. [2] Some ghosts in a fantasy sequence are actors wearing white sheets; others are silhouettes cut from cardboard. Another effect of this film is to use stage equipment instead of stitching and dissolving. [2]

This movie was released by Melis's Star Film Company and is numbered from 756 to 775 in the catalog. [1] In a more complex movie of Mercedes, it is expected that summaries of actions called projections (called medals) will be read aloud to help the audience follow the plot. Souvenirs published for Rip's Dream by Méliès in 1905 survived the archive of Cinémathèque Française. [1]

Mary's research in 1981 was produced by the National Film Center. And the country fool character invented by Melis added that the movie was changed from reality to a dream and returned in a smooth and balanced way. 2]. Cultural historian Richard Abel called this film "dramatic drama and" colorful forest fantasy "which highlighted the strong roots of Planquette operetta. A writer and historian Thomas S. Hishak reviewed the glasses effect of the movie and the deviation from Owen's original story and concluded as follows. "As adaptation, this movie is useless, but for movie historians this is extremely noteworthy." [4]

Which of these stories inspires the advertisement of American dreams and is consistent with the Great Depression? In Irving 's "Rip Van Winkle" (1819), American freedom (personal and social) before and after the revolution was a major theme. This is shown from several angles, including Free run of Rip. The last few lines of the story explain the freedom of the United States, ie order and intentional dominance, and even if the wild liberties of Rip are trained and not used, for entertainment purposes in the new social order You can lend it. Everyone seems to have a better future. If Irving has a "dream" then the freedom of future generations and the better world seems like a transition of Rip from ignorant subjects to knowledgeable citizens.

Why did American dreams escape from the transition from ignorance to knowledge in "Rip Van Winkle", "Young Goodman Brown" and "The Tell-Tale Heart"? What kind of dreams are we talking about?

I think you can see the idea that Rip is earlier than the American dream from the date of explanation and money. Nevertheless, it is possible to find the latter concept in the environment and environment in which Rip resides. As the freedom and freedom develop into a new society after the revolution, the newly created Americans find themselves in personal, freely-oriented dreams. It is inside. Political freedom, freedom and representation of Congress. At the end of Lip's story, his greatest dream came true.