The role of music in adolescent development: much more than the same old song
[2023-01-13 20:29:42]
This literature review presents three arguments that encourage the development of adolescent psychology music. First, music influences important aspects of pubertal development - for example, aesthetics, identity, socialization, emotional regulation and coping, character and motivation, role of sex, development of positive youth. The impact list of this music development is not exhaustive, but it is still a good foundation. Secondly, music can be used as adolescent protection and risk factors. These elements are complex and you need to consider the interactions among people, the environment, and music. Third, music can be an auxiliary part of youth prevention and intervention. This is encouraging as young people may gain more profit from prevention and clinical initiatives that reflect and respect youth culture.
There is a promise in this rapidly developing research field. First of all, it is theoretically based on everyday youth culture where music plays an important role. Secondly, it establishes and expands the theory of development by digging down the routine phenomenon of adolescence, that is universal music. Third, in order to support various assumptions about the role of puberty music, complex data analysis (such as structural equation modeling), statistical control, vertical planning, large scale sample, experimental and sociological design Use the. Fourth, these studies have been conducted around the world (Australia, Canada, the Netherlands, Sweden, the United Kingdom, the United States, etc.) and that many young people (and researchers) are important in many societies to music I remind you. Finally, it can produce developmentally coordinated practices to support and improve adolescent prevention and psychotherapy to listen to music.
However, there are some important warnings. First, there is no single term to summarize the developmental relevance of music into a comprehensive roadmap. Secondly, cultural studies for young people, especially ethnic minorities, are obviously lacking, and music can be a cross-cultural and intergenerational resource. Thirdly, music is often studied in vacuum as if it does not include other social media (such as social networking on the Internet) or physical activity (eg dancing with music). Fourth, although they share a common interest in music, communication seems to be limited between researchers and therapists. Finally, a procedural hybrid that tries to reproduce the research results by combining different factors (biological, psychological, social, cultural) and methods (eg quantitative, qualitative, experimental, long term) There is no approach approach.
In short, music can represent development resources, and psychological research of music opens scientific windows for psychological, social and cultural needs of modern youth. Therefore building a bridge between music psychology and developmental psychology is a better listening experience to better listen to everyday voices of adolescence.
Not all young people get into and out of adolescence at the same age, they do not show the same behavior. More importantly, for most of puberty, young people may be far from other areas in specific areas of development. For example, a 15 - year - old girl is physically a young adult, but by the late pubertal, her intellectual, emotional and social development will catch up with physical development, so she is still like a child There may be. Considering the uncertainty that society imposes on them over six to ten years in particular, will teenagers sometimes get confused and confused? Prior to World War II, only one of the four young people completed high school. For the teenager still, it is common to work full time and marry a child. Today nearly three quarters of teenagers receive high school diplomas, and two-fifths of graduates are entering university.
Well, the final stage of puberty is what we usually call young people. This group is junior high and high school students from