What are scales and modes in music?
[2024-01-19 18:34:42]
"Scale" means Latin, ladder. Scale is the basis of tone of music. It is a set of tones that you can lay harmony with melody. The pitch of the scale is sorted according to the pitch. The scale creates various unique emotions, atmosphere, coloration, so there are many cultures around the world.
Main scale, small scale, church mode are based on diatonic scales. They consist of the same tone, but the center tone (tone) is different
Likewise, the Phrygian church model is based on E. Lydian has route F, Mixolydian has route G, Natural minor (Aeolian) has route A, and Locrian has root B.
The scale is a series of small intervals - in Western music, these intervals are usually pitch (all steps) and semitone (diameter). To determine a specific ratio, you need to know its unique interval order.
Scale-based diatonic scales always consist of 5 tones and 2 semitones. It is thus possible to simplify the recognition of these scales by identifying the positions of the two semitones.
Mode: System before the tone system. In each mode, the scale and SCMiLones are sorted in different ways on the scale. Tone music consists of two modes: primary and secondary. In post-tone music, some composers, such as Mesian, use it as a pattern to write artificially created musical scales. Nationalism: In the political movement of the 19th century, musicologists survey local folk music and incorporate folk music into art music. The most famous music nationalists are Russia (Grinka, Mussorgsky), Czechoslovakia (Smetana, Dvoldok, Yansek), Scandinavia (Giffik, Nielsen, Sibelius), Hungary (Kodari, Bart 6k), the United Kingdom (Ives) Vaughan Williams, promotion)
Like many non-Western traditions, medieval European music is modal. That is, the music is not based on a specific key on the primary or secondary scale. Instead, it is in a particular mode. The pattern lists "allowed" notes in the music clip and defines the pitch of the music so it may be very similar to the scale. But the pattern is usually not a different pattern, it is also a collection of patterns found within a melody, a melody phrase, or a pattern (patterns differ from each other over various ratios). Patterns may imply or suggest specific emotions, or may also mean specific effects on audience personality.
In Western music theory, patterns are scales, with a series of unique melody behavior. Since the Middle Ages music patterns are part of Western music thought, inspired by ancient Greek music theory. The name pattern is derived from the Latin "Metric, Standard, Method, Average, Size, Quantity Limit, Method" (Powers 2001, Introduction, OED). Regarding the concept of a model that is generally applied to pitch relations, the pattern proposed by Harold S. Powers is limited to melody types based on pattern interpretation of ancient Greek octaves called Tonos (τ 6 ν o says) or Harmonia near (ρ ρ ο ν π α) It will be. , "Most of the area between ... is in the pattern area" (Powers 2001, § I, 3). This integration of the church's tone and the old meaning associated with the octave is done by medieval theorists for the monotonous traditional culture of the West (see Hucbald and Aurelian).