To What Extent Did Nationalism Affect Music of the Romantic Period?

Introduction "Nationalism" is defined as "a social and political perspective that asserts that the state embodies a partially or totally unified national society, namely history, race, religion, common culture and language" Is defined. Essentially, nationalism is a powerful pride of the country that was created by the promotion of the unity of the people. Because of the sense of loss of nationalism nationalism was excited. In the 1800s, the power of control, usually imperialists pressed their culture, language and history against their empire.

The era of romantic music is defined as the age of classical music in Europe from 1820 to around 1900 and is music written according to norms and styles of that era. Before the romantic era, there are classical times and late classic times, most of which are Beethoven, followed by classical music of the 20th century. The world of invisible musical instruments can be said to correspond to the invisible world that the eye can not see. Arthur Schopenhauer believes that music is "the image of the most inherent reality in the world and its materialization, which is a concrete representation of the general sense of clear form and life impulse." Goethe stated that "... the mind can only learn art objects within the soul company," which can be the definition of the cultural attitude of the 19th century.

The music expressed in tragic words makes participants recognize the emotions of music. However, they do not have the same effect. In contrast, romantic music tends to influence people's "emotions of feelings" - what they experience - more than the "perceived emotions" they report. (Minor) sad music proved more emotional than music written with big keys. At the same time, the extent to which participants report their emotions depends on the key to music: the key part of the key brings a higher level "perceived emotion", but the key to key music is the opposite is.