Mise en-Scène in Citizen Kane
[2023-03-20 09:42:47]
7. Misesen Scene 1. Appearance and feel (including drama) of design, props, lighting, actors (including makeup, clothing, performance) 2. Distribution, balance, and general relationship (such as paintings and photographs) of actors, objects, rays, and colors within each lens space
When applied to a movie theater, mise-en-scène refers to everything that appears before the camera and its layout - composition, set, props, actors, costumes and light. Picture photography and editing of movies affects fidelity and reliability not only for "Misé Anscene" but also for spectators' eyes. The various elements of the design help to express the vision of the movie by setting emotions, sometimes implying the spirit of the character, as well as creating a sense of time and space. "Mise-en-scène" also includes compositions including arrangements and movements of actors and objects in the lens. These are the areas that the supervisor oversees. One of the most important people who work with the director is a production designer. Before actual photography started, the two had perfected every aspect of "pretense" for a long time.
Miseenscène is like a misunderstanding. When you analyze the misunderstanding of the movie, you judge the visual presentation and the stories it talks about. Miseenscène helps create sense of the place, sensory sensation, and sensuality. It communicates a lot with the audience, but I do not realize consciousness. "In some movies ... Miséen Scene may be a very complex and subtle site like the Hollywood movie Douglas Silk In movie studies Misenscreen is a movie style and kind of It is an indispensable concept to understand different movies, historical times, important differences of the origin of the country etc. It is also a movie, an important concept in the author's research. "
Mise-en-scène has focused on filmmakers in several countries and eras. After the First World War, German expressionism developed quickly. In painting, writing, and film production, expressionism is a dramatic film that expresses the psychological disturbance of characters in the space where characters live. Major representatives of German film expressionism include Robert Wiene's Das Kabinett des Doktor Caligari (1920, Cabinet of Caligari, 1920) and FW Murnau's Nosferatu, the first Dracula movie (1922) . These and many others have created a restless, dreadful dark and uneasy vision. German expressionism has a great influence when the practitioner moves to the United States: universal studios in the early 1930's, such as the sunrise of Murnau (1927), Frankenstein (1931), Germany Gula (1931) And its sequel, Citizen Kane (1941), black film type in the 1940s, Psycho (1960), and taxi driver (1976)