"The biggest mistake we've made is that movies are primarily a kind of entertainment.The movie is the best medium for exchanging ideas and information since moving inventions.The literature of light entertainment Novel choice is no longer the best, novels are the best "- Orson Welles Orson Welles is passionate about the movie. At the age of 25, he directed, produced, produced and starred the biggest movie "Citizen Kane" of the day.
Bernard Herrmann, perhaps the most famous "Symphony Orchestra" track composer, and Citizen Kane of Ossen Wells (1941) and the luxurious Amberson (1942), and John Bram's Hangover Square (1945) are his subtle psychology I am clarifying talent. Robert Wise 's "The Day of Earth Stillness" (1951), which was built around two sounds juxtaposed with electronic instruments, wrote an excuse for his own piano concerto and was a typical Hitchcock composer, Continue to be "human" Write a score of Surrealist who knows too much (1956), trouble with Harry (1956), Northwest Northwest (1959), Fandangolism, psychology (1960) ), The most famous one of the most famous one Vertigo (1958) Cubism based on melody and sound effect, a deconstructive string of clockwork, probably his tour, The Birds (1963), that disastrously harmonious Tremortium's 'creation' by a choreography not largely (mainly by Oskar Sala), these three are the most primitive, Marnie (1964), dubbing depends on sharp clauses as a metaphor of scene fear
At the same time, there is a rumor that the "Ornate Welles" original "Ornate Welles" will not be affected by RKO or the original ending. The feature feature film of this work was sent to Brazilian Wells when photographing "The Real Everything". It may be preserved, but many people, including Mr. France, doubt this is a pure fantasy. But this is an attractive fantasy. After 70 years, a movie that transcends Citizen Kane may become the best movie ever. And it is directed by Orson Wells.
Orson Welles could not leave his studio RKO, a magnificent Ambersons masterpiece born of the destiny of devastating industrial clothing, to drive him away. But the studio did not only replace the greatest filmmakers, but also changed their letterhead and boasted it with the slogan "showmanship rather than genius." But when Prince 's fight with Warner Bros. was over, his reputation was hurt. For the general public, he is another crazy genius and he is too high to contact them. It is not a problem, but what he wants is only to have the art he actually produced - for the industry it is the most dangerous and defiant kind of crazy conversation.