Essay on Mise-en-scene in Citizen Kane and Persona

Mise-en-scene is the principle that film draws its meaning completely from what happens in one shot, not from the relationship between shots. For example, the director may include lenses with various compositions, angles, depths, movements and illumination.

Citizen Kane has many good examples showing how to use Mise-on-scene. I think the most important and powerful scene in this scene is the scene that exists in this movie. This happens when the little boy's parents are talking to a gentleman in the house. When people talk, we see a boy playing in the snow, we see the background through the window. This scene ... show more

As the three people who seem to be the focus of the scene are moving, the camera moves many times. However, the real meaning of the lens is that the boy in the background is not reflected in the shot. Another movie that has a big influence on me is the goddess. There are many important scenes in this movie, but there are examples of mock scenes appearing in the scene. This is the scene where the nurse chased the actress on the beach. The actress quickly moves away from her along the rock and the nurse is about to catch up with her. After the nurse screamed and caressed his face towards a silent actress, the scene took place directly. It seems that she wanted to become a better woman throughout the movie. The nurse laughed for forgiveness. This scene really proves the weakness of the nurse in terms of emotion and spirit. She is crying and in the state of hysteria, the actress has not forgiven her yet. This will also reveal the role of many actresses. This shows that even if she just wants to help her, she does not care too much about nurses. At the end of the scene, the actress departed and the nurse ran towards the ground in the opposite direction. She stumbled and wept and the scene ended. This scene shows not only in this scene but also in the lives of women, the audience has many individualities about women. Nurse is a loving woman

Citizen Kane's Mise-en-scene is a key part of movie success, a deep person in filmmaking. In important scenes, props are placed in the foreground of the scene and actions are done behind them. This creates a sense that the audience is part of action. Leland told Kane that his attempt to move to Chicago is a good example. The focus of the scene is very deep. The important item lies between the camera and the action. In this case, the bottle of Leland will be the foreground and the dialogue between Leland and Kane will take place in the background. This is an important scenario for both props as well as for people. Kane talks about the scenes of music people, Reland and Bernstein are talking about the future. In this way, the actor arranged to make a distance between Kane and the rest of the movie.

From "Citizen Kane" until the next few years, filmmakers use soft focus and depth of field to capture more complex shots and memorable scenes. "Citizen Kane" is part of the theater and this movie condenses and leads the technology used by all filmmakers in the coming years, so it deserves to be listed outside the list. Swedish filmmaker Roy Anderson is one of the most challenging and revolutionary directors. His movies are far beyond the classic narrative model, so collisions can not unify behavior and roles. In his work, I see fragments of people living in a strange and exhausted world, reminding me of the exhausted role of Antonio's "La Notte". But breakthrough does not mean that Anderson does not use the same tools as other filmmakers - it means he uses them in different ways.

Symbolic citizen Kane (Wells, 1941) is a biographer who traces the life of a fictitious newspaper, Charles Kane, who uses scene elements to reinforce "lost" as a theme repeatedly in the film. As a writer without a face, collecting Kane's personal stories tells the story that in most of his life "goes to bitterness, disappointment and loss necessarily inevitably" (2). The first flashback scene (set in Kane's childhood home) started Kane with the above negative emotional trip. Cane appeared in the background of the scene, and in the foreground, Mr. Thatcher and Mr. Thatcher talked about his future. Cane seemed to be trapped in the frame of the window, reflecting the way he was "trapped" in Mr. Thatcher's custody. In this scene, the expression of Kane 's anger gradually disappeared, revealing the sleigh he was playing happily.