Ecstatic Resistance
[2023-09-22 19:36:26]
Yael Bartana, Sharon Hayes, Matthew Lutz-Kinoy, My Barbarian, Jeanine Oleson, Ulrike Ottinger, Adrian Piper, Dean Spade and Craig Willse, A. L. Steiner and Ian White
Fanatic resistance has radically changed the image and process of politics and developed a strategy that bypasses and reverses the deep-rooted theoretical structure that sets the understandable boundary.
Grand Arts will exhibit "Ecstasy Resistance" project and group exhibition curated by Emily Roysdon (New York and Stockholm) from 13th November 2009 to 16th January 2010. Exhibitions and fanatic resistance journalists include several works entrusted by Sharon Hayes (New York), My Barbarian (Los Angeles), Jeanine Oleson (New York), and AL Steiner (New York) and Matthew Lutz-Kinoy New York and Berlin). Dean sponsored performances and symposiums in Spades (Seattle), Craig Wills (New York) and Ian White (London). The exhibition also includes works by Yael Bartana (Tel Aviv and Amsterdam), Ulrike Ottinger (Berlin) and Adrian Piper (Berlin).
Spirit of Matthew Lutz-Kinoi's performance, democracy, Ian White's performance, Free State Epitaph, Dean Spade, Craig Willse's speech, Charlotte's breaking Baroque People's Theater Street Foundation by my savage and local participants Municipal Foundation Project Collaborated
In addition to the exhibition at Grand Arts, Roysdon also hosted a sister performance with the same name at New York's X initiative from 21 November 2009 to 6 February 2010. His work is as follows. Davila, Sharon Hayes, Xylor Jane, my barbarians collaborated with Liudni Slibinai, Ulrike Muller, Jeanine Oleson, AL Steiner, Joyce Wieland. Cast: Leah Gilliam, Sharon Hayes, Matthew Lutz-Kinoy, Jeanine Oleson, Julianna Snapper, Dean Spade, Craig Willse, Wu Ingrid Tsang, Zackary Drucker, Mariana Marroquin, Ian White
Grand Arts and Emily Roysdon are grateful to the following organizations for generous cooperation to the exhibition: Wellesley College Davis Arts and Culture Center (Wellsley, MA), Adrian Piper Research Archive (Berlin), Ulrike Ottinger Filmproduktion ( Berlin) and Annette Gelink Gallery (Amsterdam)
The exhibition is aimed at putting together various projects showing various ecstasy resistance in terms of concept, aesthetics and generation. The exhibition incorporates the problem of "possible" into a new field where the symbolic movement of culture is long enough to reproduce the excess of that expression. Some works create a place where you can build an ethical structure you can not thrive. Others emphasize the life experience of impossible and resistant. They said that power is very happy. They shake their emotional cuts to an invisible opponent, say "How about?"
Ecstasy resistance is part of the project, practice, philosophy and a series of strategies. While seeking re-expression of imagination it will develop an impossible position. Ecstasy resistance is the limitation of expression and readability - a strategy that weakens the limits that can be understood and the hegemonic opposition is weakened. It wants to talk about resistance pleasure - to modernize the structure to focus life, life and self instability and plasticity. That's about the temporary nature of waiting and changing. Ecstatic Resistance wants to consider all things impossible or unexplainable in the feminine-centered world order in the center of Europe.
Ecstasy resistance is a quest for the transient nature of change. Time, time of change, duration and importance of change and drama - arc of history. Ecstatic timeliness opens up a nonlinear experience that seems to be preventing the relationship between the speed of the broken neck and the moment from vibrating in a difficult spirit. The exhibition is aimed at putting together various projects showing various ecstasy resistance in terms of concept, aesthetics and generation. The exhibition incorporates the problem of "possible" into a new field where the symbolic movement of culture is long enough to reproduce th