Catch-22 (1970)
[2023-04-19 00:55:41]
I think there are several perfect movies. Not everything is wonderful. There are lots of things I think is wonderful, but only a little is perfect. Catch-22 is not only perfect, it is the same even if there is a stronger term than glory. Camera shooting, editing, sound, rhythm, actor performance, perfect performance, complex performance of many scenes: perfection. Mike Nichols leads the film carefully, but his list of movies reads as if who is the greatest classic. To the best of my knowledge, catch 22 is his masterpiece. You may not know that he won Oscar (not for this), and Tony and Amy are both the best directors. He may be unique in this regard, but I do not know. This book is absolutely wonderful. No film can explain this book exactly - it just does not work. But this movie provides stories, spirits and themes, not to mention the amazing comedy of this book is better than I thought. I can write the whole book about my favorite movies, but I will not, but eventually I am the most advanced, I need to cite some specific examples. Let's talk to Martin Sin and restaurants of other people. The conversation is very complex, there are beautiful facials, scene speech characterizations, and timely cuts. It goes without saying that the incredibly fast attacks Arkin offers. Explain the essence of catch 22 Doc and Yossarian's runway scene: Sound - engine roar, but an incredible inverted lens of Doc not completely drowning traces of dialogue reacts to his hat to Yossarian Give it, "It's awesome (catch up to 22!)" Then, an amazing visual effect that the plane takes off - stick to the shoot, show its pure beauty, and rest for a while from the story, Can be attached. I can say that Nichols is equal in Hitchcock's wonderful visuals and innovation offerings. Scene of 60 M & M Enterprises stock of Nately. Close the delivery cut, "And they will understand." Exquisite line. Orson Wells - "Take the man to shoot him." The movie is very interesting, scripting and dialogue is clever and witty, the show is inspired, the theme is clear, You are not boasting yourself. The last point: for those who are not in the military I would not be surprised if I thought that the whole depiction of the military was just stupid, but I guarantee you that this is only one or two exaggerations You can do. I had a similar experience with Naval Yossarian.
Film director Richard Benjamin is not a stranger of comedy. A few years ago, he appeared in Love At First Bite (1979) and movie version Catch - 22 (1970). He was also the leader of the Water World (1973), afterwards turned to the director of my favorite year (1982), a movie produced by Melbrook, and won Oscar nominated Peter O'Toole. Of course he did not win. Following the movie City Heat (1984) was held, but collaboration with Clint Eastwood and Bert Reynolds was done, but there was no box office income. Later, Money Pit feels like a secure choice; plot, actor, everything is like a light and safe bet. The obvious purpose is not to remake the steering wheel obviously, but to make a movie that is not annoying and get a considerable amount of movies.
Social and cultural destruction of movies began in the 1970s, movies like catch 22 kept spreading anti-war information. Sarcasm of satire movies is not limited to social and cultural concepts and extends to other movies with the advent of parodies. A director like Mel Brooks helped create a type of imitation of the movie and released a movie like Young Frankenstein. The premiere of Saturday Night in 1975 was an important moment in the comedy world that brought destructive ideals of comedy movies to television. At the same time, many new faces came into the field of comedy that stood up. Finally, comedians who noticed that they themselves are on the SNL, such as Richard Pryor, John Belushi, Bill Murray, Steve Martin, etc. are growing up in the film industry while producing like an animal house I will continue. Harlem Nights, Caddyshack, Ghostbusters, The Jerk, and many