Reflection on “In Plato’s Cave” by Susan Sontag – 04
[2024-01-27 11:11:18]
In the fable of Plato's cave, the prisoner began to observe the shadow. I think that this is reality because they have not seen anything else. After that, the prisoner was released and I could see the statues of fire and angiography. He realized that the shadow is only a point of reality, and now he thinks he knows what is true. Then he was brought out of the cave and showed real birds, trees, animals and clouds. He realized that the statue itself is a representation of things. Whenever a prisoner shows something new, he will gain an understanding
In her article entitled 'Plato's Cave', Susan Sontag said the photographs confine us within the cave, I think we are seeing the reality. She said that we seem to have a clear understanding of the world, but said that photos can only be shown to the world from a certain angle. Photographers can control how to make us feel how the paintings can make us think so that those who move the statue in the cave have complete control over what the prisoners see. I can do it. We must be careful to notice the fact that we are showing a shadow and are constantly looking for a better view of reality.
For the photo, Sontag named her first article "Plato's Cave" and reflected Plato's allegory of the same name. Basically, Sontag considers photos to be a wrong way related to the world, as photographs are very flawed and may be essentially misunderstood. Sontag associates this with Plato's fable. There, the prisoner sees the shadows of things thrown on the wall by fire in the cave, and in fact sees real false statues. For Sontag, the picture is like this. Realistic images, people can not infer anything from it. On the other hand, I have something to say more about photography, and in some respects I can not fully agree with what Sontag presents.
Literary interpretation and analysis of the first chapter of Susan Sontag's "photo": "Platoon Cave"
Susan Sontag's article "In Plato's Cave" accuses the photograph and warns the meaning of the photograph. In explaining the meaning of the photographs, Sontag mentioned several important findings, and due to the changes in what actually happened when photographs were taken and the lack of information and the strong influence on society of the photographs, photographs Clarified the attention when seeing. The psychological aspect of Sontag's pictures shows a threat and shows motivation behind hidden desires and behaviors. Sontag's article generally shows how the picture has a serious impact on society's views and shows the results of the photographs that depend on this despair. Still, in some cases, this dependency on photos is useful, so Sontag may "spread it beyond ratio" across the boundary. Of course, I can not fully trust photographs, but it depends on viewer's judgment and support information.
Literary interpretation and analysis of the first chapter of Susan Sontag's "photo": "Platoon Cave"
A typical example of a warning about Sontag's photos is "Man is not often destroyed by Plato's caves and is still fascinated by their ancient practices, it is only an image of the truth" (Sangag 3) . Here, Sontag does not always explain what they see, as someone like a fable in Plato's cave, when seen by someone is just a real image. In the cave story of Plato, the shadow of the wall seen from the trapped prisoner is very different from the real thing before the fire (Cohen). This fable shows that a prisoner in a cave can only see the reality of its image, not its real object. Sontag compares these shadow allegories with photographs and reality and says that the picture looks like a shadow. They are not genuine. In addition, you can modify the photo: scaling, cropping, grooming, aging, trading (Sontag 4)
Literary interpretation and analysis of the first chapter of Susan Sontag's "photo": "Platoon Cave"