War poet Joseph Komniyaka vividly explained his vampire feeling in the Vietnam War vividly as a veteran of African-Americans in the poem "faced". Thinking about Komuniyaka, his story, his past experience, rethinking the hero of the poem, he hid his enthusiasm and walked on a veteran monument to claim a cold "stone" It was. He wrote a section in a dark mood. Then, with a metaphor and a visual image, I drew a picture with words so that everyone can see.
As a veteran of the Vietnam War, it is difficult to imagine how Yusef Komunyakaa felt when seeing the name of his dead friend who appeared before him. Youssef Komniyaka details his experience in the war with his poem "Face to It" and his feelings in the center of the Vietnam War Memorial. The first relationship between Yusuf and the monument was that he was black, as he bound it to his own race. His "black face will fade away" so he can see more clearly the name of the casualties listed on the wall: they are all 5822 people
When he saw the name he saw a white veterinarian in front of him; he lost his right arm on the stone, as Comniyaca lost much in the war. In the face of the Vietnam War Memorial, Yusef Komunyakaa began thinking about all that has been brought about from his head for many years. His face melted into the black granite, and the reflection of Yusef Komunyakaa returned him to the darkness of war (847). I saw him continuing the fight against the war that ended decades ago. When he was at the pace of the Vietnam War Veterans War Memorial, it was clear that everything now reflects his past sufferings. Partners are losing, young men and women are innocent among young people struggling to meet domestic demands. When he saw the woman brushed the boy's hair, but he just looked at the cutting edge of the plane like a bomb (Komunyakaa 847)
Yusef Komunyakaa served as a journalist and editor of the military newspaper during the Vietnam War, where his experience proved the source of rich and painful poetry material. Komuniyaka was written for the military publication "South Cross" between 1969 and 1970. And he recorded the activities of American soldiers inside and outside the battlefield. "In the face of it", he created another war record. Komunyakaa, the winner of his poem "Bronze Star", remembered the Vietnam War Memorial of Washington, DC and the many contradictory emotions he felt while he existed. Removed from Vietnam 's time and geographical location, Komniyaka explored ways of expressing war and possible ways of memorizing: in particular, he identified conflicts between moral and memory - private and public expression I treated it.