Young Frankenstein

Category: Musical, Comedy, Original, Broadway Description: Two musical scenes: Transylvania and New York

It was generated by Robert F. X. Sillerman and Mel Brooks, collaborative work with R / F / B / V Group, Proxy Producer: One Viking Productions, Carl Pasbjerg

Mel Brooks and Jean Wilder 's comedy program "Young Frankenstein" (1974) borrowed the sons of Frankenstein, especially the first three global Frankenstein films. This work uses many of the original laboratory installations of James Whale and uses the technical contribution of the original author Kenneth Strickfaden. Wilder paints Dr. Frankenstein's American grandson Frederick, and Peter Boyle plays a monster. The remake of Turkey, Sevimli Frankestayn, was released in 1975. Brooks later adapted his movie to the musical. Musical · Young · Frankenstein opened in Broadway in November 2007

In 1974 comedy "Young Frankenstein" by Mel Brooks, Jean Wilder depicts Frederic Frankenstein, the grandson of Victor Frankenstein, which Jean Wilder inherited. I am ashamed of my family, but his grandfather's work (until I argue until his name is pronounced "Fronk-en-steen"). He eventually was inspired by starting his own monster (played by Peter Boyle). In 1992, David Wicks made a movie adapted from Frankenstein for Turner Pictures. This will play Patrick Bergin as a monster of Victor and Randy Quaid. In this movie, Bic hangs itself not from death to create living things. In this adaptation, JVC shares a spiritual connection with monsters and can feel the existence of each other.

Frankenstein's adaptation often changes the sense of isolation and the existence of community in the story. Many adaptations like Young Frankenstein showed Victor a lab assistant at his laboratory. Even the first adaptation of 1823, the drama called "presumption" or the fate of Frankenstein drew JVC as a servant who helped him in the laboratory. This new character changed Victor's character and his responsibility to a monster. There is the possibility that Victor 's laboratory has another "creator", which almost leads to an outdated separation problem. If Victor does not act alone to make monsters, subsequent massacres can be attributed to monsters. The placement of others in the laboratory is a complete demonstration of JVC's unfulfilled ambition. The Lab Assistant completely eliminates the contrast between monster and JVC's isolation. Instead, we just see the monster's unity