Yoko Ono: Alternative and Conceptual Art Genius

Instruction is to play games with friends and strangers while remembering which work belongs to who (Allen). Another piece is called "My mother is beautiful." Yoko Ono wants the audience to write a note on the paper pointing to the mother and paint it on the designated wall. This work not only provides physical interactivity but also provides emotional aspects to participants (Allen). As you can put the secret on the paper and there is no time to think about writing regardless of whether it is good or bad, you will get the truth.

Some people know that she is the legacy of the Beatles singer John Lennon, but many people know Yoko Ohno is the best feminist artist. Yoko Ono is known for participating in his work. She focuses on the art experience rather than the appearance. Damien Hirst (1965) is an internationally acclaimed British visual artist who is said to be one of Britain's richest living artists. Hearst, born in Leeds, living and working in London, was the best representative of a new generation of artists who shocked the art world from the late 1980s to the early 1990s.

Yoko Ono became mainstream in the late 1960s, but since its debut in New York's art scene in the early 1960's, extreme public opinion has shaped the public's perception of Yoko Ono. While traveling overseas, Yoko arrived in Greenwich Village in New York, where she first discovered a world of avant-garde artists. She began her life, gradually integrated her poems and became fascinated by conceptual works. Over the years, as an "artist," her works have been ridiculed or ignored. Her ridicule may be based on the fact that she is a Japanese female artist. "When Asians and women do not occupy an important position in the history of modernism". When she began working as a musician and filmmaker Anthony Cox, her fearful wealth would soon be better. By coordinating Yoko's "interactive concept activities", Cox helped her to start her career.

By Yoko Yoko 's 1965 work "Cut Piece", entertainment began to spread as a critical analysis of gender value in feminist art. In this work, I saw Yoko Ono kneeling in front of her with a pair of scissors. One by one, she invited audiences to cut off the dress until finally falling into the remains of her clothes or underwear. In the sense that Ono becomes a sexual subject, an intimate relationship is established between the subject (Ono) and the audience, and the concept of gender is resolved. As more and more clothes are cut out, she will remain stationary and reveal the social status of the woman.