Writing Against Death in The Floating Opera

In floating opera against the writing of death, he is difficult to focus on the story of a particular line, because the storytelling is not a cup of tea, it is impossible to include a divorce in the opening chapter of floating opera All images he creates will generate other images, and the text will infinitely bring in other words "new letters and new tracking" (Barth 2). This sentence shows that the existence of Todd is actually restricted to the reality formed by telling his story; this fictitious reality has been reborn.

Implementation of Christo Art Opera "Floating Dock" at Iseo Lake seems to overcome these problems. It is generally a free public event, and visitors can earn income in unknown cities. But be careful, this case has not revealed much of everything already in the field. This is self-praising of an artist and does not take into account all the beauty and sight of the area. Such activities work in the way you go, calm one, what you set up, the place you used, the place you opened, and in some way that you leave when it's over. Like the street market, please do not waste anything else. Only those who participated in the event, people who planned the event, people who worked for it remembered it and will use it to show that it never happens again.

Tania did not think she would write an opera. When she first contacted Hans Werner Henze, the founder of Munich Biennale, she thought it was a joke. Her opera "Hyacinthus scourge" was used in 1994 and was based on Wole Soyinka's BBC radio drama In 1999 she was awarded the BMW Best New Opera award at the festival. Tania established the Brooklyn Philharmonic Community Concert Series in 1978. Over the years she has advised and cooperated with dozens of other organizations including the New York Philharmonic Orchestra, the American Composer Orchestra, the Sonidos de Las Americas Music Festival, the International Music Women's League, the American Quintet, the Symphony Orchestra and the Lion Body · Organization, Orquesta · Symphonica · De · Las · Americas, Altavos, Chamber Music · USA ·

Drew Minter (Stage Director) is currently known as an entertainer for 40 years in the international opera house and early music audience. And he now teaches Voice, Opera and Chamber Choir at Vassar College. With over 60 recordings, Drew played a major role in Brussels, Santa Fe, Wolf Trap, Washington and other opera companies as well as symphonies such as Philadelphia, San Francisco and the St. Paul Chamber Orchestra. He began his career as a director 15 years ago and for many years he has served as the director of the Boston Midsummer Opera and the Gottingen Handel Festival. Other director awards include St. Luke's Orchestra, Lake George Opera, Marseille Opera House, and numerous university works.