Words That Describe Art

Caspar David Friedrich, Klosterfriedhof im Schnee (1819). A: My description of this picture is as follows. It has a sad and dry atmosphere. On a cold winter's day, the branch withered, it dried and we became sad. There are no leaves that symbolize death in branches. The background is very unclear, the ground is filled with snow. This shows a typical cold winter day. There is a cross on the floor on the left side of the picture as if people were dying in that place. Someone entered a sort of entrance.

A word explaining the art of Renaissance. It is speculated that the word comes from Portuguese "from an alien, incomplete pearl". This term was originally used as a contempt for the new development of the art form known as "excess and imbalance". It is characterized by strong emotional tension, realism, and light contrast. Many artistic motives are aimed at rebuilding religious zeal in Catholic church. An Italian artist known for contrasting contrast, his reality, and even dramatic emotions and even appearance. His work had a great influence on Baroque artists such as Baroque art and Rembrandt. His career was relatively short because he died four years after fleeing from Rome because he killed a man in battle. (Photo: St. Matthew's call)

The word baroque was first applied to art by critics during the late nineteenth century from the 16th century to the latter half of the 17th century. The word baroque definitely does not affect the art movement. In Italian, Baroque means 'infant tortured medieval', Portuguese means 'deformed pearl'. In any case, Baroque is mainly related to religious tensions over 200 years in Western Christianity. The Catholic Church begins to divide, which results in the creation of new Christian prejudices

In art criticism, the word baroque is used to denote anything irregular, odd, or deviating from rules or ratios established in other ways. This prejudice against the artistic style of the 17th century was made by Johann Winckelmann's critics against a small amount of John Ruskin and Jacob Burckhardt. Modifications are always unusual, grotesque, exaggerated, overcorrected words until the end of the 19th century. Only Renaissance and Baroque (1888), the pioneering work of Heinrich Wölfflin, used the term baroque as the name of the style, systematically expressed the features of the baroque style rather than the terms used to hide abuse .