The role of women in movies has changed dramatically over the years. Due to changes in social norms, women are changing their roles more than any other classes. At the Hollywood classical film festival, the society and the film industry claimed that women should depend on men and stay home to ensure the stability of the community and family. Like heroin, women are not dominant in the movies. The 1940 film Gilda is no exception.
The role and description of women in society are particularly unstable tasks. This is especially true when thinking about the time frame from the early 20th century to the mid 20th century, and from the perspective of the classic Hollywood movie it is also accurate. Feminist film theorists insist that drawing a woman in a movie is only to please the audience in a physically shallow way. Meanwhile, theorists assert that men play a more aggressive role in movies and usually play the role of the protagonist.
Many people think movies have changed since the classical Hollywood era, but in most movies women are no longer passive, but they are not. Looking at a woman's infographic of the New York Film Academy posted in the Top 500 American Films in 2007, I found that less than 31% of the female characters are more than three times more likely than men. . I cherish active female protagonist and feminist director, but men's eyes are still related to contemporary story movies and television. You only need to look at the advantage of the men's perspective in the Marvel Avengers Alliance and the restrictions / restrictions of women in the Marvel Avengers Alliance to see that the gaze of men is as popular in Hollywood movies as ever. For example, in Avengers (2012) the camera objectively crouchs on a black widow (Scarlett Johansson) every time the camera appears.
The concept of "gaze of men" is an abbreviation for analyzing complex mechanisms related to photographic systems such as voyeurism, narcissism and fetishism. These concepts help to understand how Hollywood movies are matched to male desires. Since the structure of Hollywood movies was analyzed as basic patriarchalism, early feminists argued that women's movies should participate in experimental practice avoiding traditional stories and movie techniques.