Since the beginning of the 20th century many attempts have been made to create a new type of movie called the west. The first famous movie "The Big Train Robbery" (1903) in the west was not necessarily the first Western movie ever, but it is regarded as a vertex of this type by film historians and theorists. Everything started with this. It will be the first step to create similar, very different things. Since it is still an unknown type in the movie, there is no set of rules on how to create a movie in this new type of experiment, so it is expected to change.
Both movies cast doubt on the role of women in Western genres. It brings family values and order to the Western turmoil until the western movies of the Hummer period usually draw "good" women. However, "the boundary line between a good woman and a" bad woman "(Studler 54) just like many of the Ford's female characters are ambiguous. Stara also believes that Ford 's "searcher" will turn to a female hostage (Debbie) that viewpoint is important (54). Ross tells the story of playing a movie through a female character (wife / daughter / prostitute) rather than a male character (father / son / scorpion), "What is in these two movies , John Ford used many of these questions and core questions, but as they expanded, he provided more information to the audience until the central problem reached the climax ( Kitses & Rickman; Pippin)
Black movies are a unique type. People riding in the west can recognize Westerners; musicals include songs and dances; war movies show war. Even a so - called female photograph is a movie with a theme of women. However, the directors working at the black film company did not use this term to explain their work. Interviews with several types of major creators - Otto Preminger, Don Siegel, Fritz Lang, Robert Aldridge, Edgar Ulmer - Peter Bogdano Vicky looked for vain words in his wonderful collection. "The first black movie of the magazine began in 1971. The first part of the New York Times was 1973.
These novels are located on the border of the United States of America, Canada, or Australia. Unlike Western women who are often left behind, the romance of Western genre novels focuses on the experience of women. The heroes of these novels are seeking adventure and are obliged to conquer the unknown. They are often loneliness rangers, somewhat civilized, and "simple". Their heroine is often forced to control events outside the border. These women have to learn to live in the male world and use love to overcome their fears at the end of the novel. In many cases, a couple must be able to face a certain personal risk, to build a strong future relationship after overcoming difficulties.