Women in Tennessee Williams' A Streetcar Named Desire and Arthur Miller's Death of a Salesman

Women in Tennessee Williams 'Desire Street Car' and Arthur Miller 's Salesman' s Death Stella and part of Linda are typical female characters as they follow a typical wife and obedient mother. A fictitious character. In the tram called Desire, Stella DuBois (renamed Stanley Kowalski) backed her husband and forgave him and kept him from any criticism. Likewise, in the death of a salesman, Linda - the only female character of any importance - is a gentle and cowardly person surrounding her husband.

"Literature shows that man is his greatest enemy." Authors Arthur Miller and Tennessee Williams have proved Rousseau's remarks using literary elements. In William's "Desire Streetcar", Blanche Dubois caused problems in her life through lies and fantasies. In Miller's "Death of a Salesman", Willy Lohman lives in the past and he is convinced that he is dead rather than alive.

Ironically, Tennessee Williams' masterpiece "Desire Streetcar" really started before Blanque DuBois, "Ili Sen Fields", wandering down New Orleans that is declining. To put it more precisely, Williams first lay the foundation for her arrival, which included many contradictions that reflect his enthusiastic craftsmanship. Williams is lined up in the order of the "broken tower" of the heart crane. This represents the quest for "foresighted love company" in the broken world of Klein. Trams create a destructive company of love and reality through a process based on war-type crafts: comedy, drama and tragedy

In the early decades of modern times, the American drama was dominated by three people: Arthur Miller, Tennessee Williams, and Edward Albi. Miller's "death of salesman" (1949) questioned America's dream by destroying his protagonist, but Williams's "desperate streetcar" (1947) and "a cat on a hot roof "(1955) discovered his dream role and frustration. Who is the fear of Virginia Wolf? (1962) changed the potentially benign domestic situation to malicious and cruel one. In the 1970s, the face of American drama began to change and continued to diversify to the 21st century. Includes famous playwright