Woman in the Studio

In this work, I draw a woman looking at the scenery sitting in a chair by combining color and shape. This theme may involve a notorious relationship with Picasso's woman and may be a depiction of one of the many women he is involved in. This picture depicts a woman with double omniscience and introspection. Picasso developed this dichotomy by drawing a wider ubiquitous eyes that gazes directly at the disturbing eyes and the audience to see the window.

As an example, I took a woman wearing (very slightly) in my studio to imitate her Audrey Hepburn idea. It includes fishing nets and long black silk gloves. It suddenly became cold, so she wore a herringbone herringbone court. I asked. The answer is "It is from my father." I was shot at once. This is a strange picture, you can not stand still and see. But for me, knowledge of women wearing their father's coat (deliberately brought to my studio) adds a very valuable image. I call it nouveau-fetish. For me it's more subtle, but more shocking and satisfying.

This is the Easter weekend. I went to this beautiful yoga studio with some intimate girlfriend at the beach. Women who own the studio teach. She is beautiful: she gracefully slides down the floor of yoga and when the sun sets down on her she shines the light so that words flow easily from the center of her heart. Discovering creativity from unlimited fields makes her a container. This flow associated with God's creativity shines on me like a Christmas tree full of lights, a meteor explosion in the night sky, or a burning flame in cool weather. I feel light embraces my soul warmly. At the moment, I did not recognize it, but I was summoned to something. I know that it already exists to rekindle my inner flame, but I did not notice that it was overwhelmed by doubt.