Why We Nneed to Fund Fine Arts Education Programs

Why do you need to fund an artistic education course? Invite artistic students to penetrate qualities like business Ask if someone comes to you and will enter music or an art career. "No" is the most common answer because of all the relevant risks and hard work. However, art education is not useful at all in the school curriculum. No In fact, this type of education can be used to plant values ​​that are essential for workforce, and even to help students acquire qualities of commercial value.

As a teacher I know that the two main factors leading to the lack of art education are money and time. As people pay more and more attention to mathematics and literacy skills and standardized tests, art became the first course to be cut from school budgets and courses. Considering the relationship between literacy and music, pointing to rhythm, and the close relationship between speech recognition and reading, this is disappointing. As a nation, we should focus on making these experiences more, rather than making our students easier to learn. As long as we do not decide the method of raising funds, we will cut art education

The first lesson of my PhD program is "exploration and measurement in education". Orientation is about ways to learn good research, but what we really care about is how to criticize and select the excellent academic arts of other researchers' research. I was trained to study fine comb methods. Is it effective both internally and externally? too small? Have you correctly defined all the components? Did you miss the key point? Okay, is not it a bit lacking in vision? It quotes all the important people ... how about everyone in the room? If answer to any number is "no" - it is invalid.

After two years' rejection by Fontainebleau's summer art project, she received a scholarship to study at the Royal Academy of Arts in Rome, Italy. Barbarians chose not to accept because they can not raise travel expenses and living expenses. But in some respects, the role of the scholarship itself is evidence of her work and the growing worldwide presence of her work and her influence on her career. But in 1929, Savage came to Paris as part of her famous work, a famous scholarship "Gaming", a boss of a life-size bronze that portrays a young black boy . This sculpture will be added to the cover of the National City Alliance official magazine Opportunity. While in Paris, Savage exhibited her work at several galleries, including poets Claude McKay and Tran Karen, and sculptor Nancy Elizabeth Prophet, along with other black men and women living there worked.