Why is Authenticity Important In Rock Music?

For example, The Comets, an early rock music song, hit the Rocket 66 classic in the 1950s with a very typical crispy guitar. This is what Ike Turner brought out, putting the guitar amp out of the recording chamber, broke the amplifier and twisted the sound. When I was working at Birmingham's ironworks, he lost his attention, cut off the tip of the two fingers and let him adjust the guitar.

In a 1981 article, Fries pointed out that from a sociological point of view, this assertion tends to collapse under review. He suggested that "rock fork debate" depends on two premises: 1) rock music is a true "reflection of experience"; 2) it represents community experience (Frith 1981, p. 159). According to Fries, the problem is "There is no independent non-musical explanation about the rock community and such an explanation of how such communities can make music for themselves There is no thing. Instead, the existence of this community is inferred from music. "A song, a record, or showing a sign of authenticity that requires playing" is considered as a sign of "real community" (ibid). Furthermore, the "sign of credibility" comes from a series of "customs of music", not from sociological information (ibid). "Community" is created by music and describes the music experience.

According to Allan Moore, the main difference between rock and pop music is the degree of credibility. Rock music is genuine. Pop music is not so, nor is it self-declarative. Beyond that, the lack of credibility is usually attributed to acting actors, they are usually considered to be controlled by their respective TV channels and music tags. The girls blatantly deny this word in their book "Dreams That Glitter". For example, Cheryl said, "We learned something along the way and we did not complete ourselves, we were allowed to do what we wanted to do" (S.240) Admitted that "the girl band is hard to accept and is believed to be reliable." Then she added, "But I think we are now" (p. 241)