Why Does Theatre Survive

Why the theater survives the third academic research paper by Ralph Gusmann "The world is a stage ..." or quotes William Shakespeare, the most famous playwright in the world (the reign of Elizabeth I in the 16th century William · Shakespeare, who appeared inside, is excited for generations, and as we approach the second century, we will definitely continue to do so at this stage, Morality and ideal represent all imperfections and weaknesses of mankind.

What does 'drama' mean to you? Please think a little. What does 'drama' mean to you? Are there answers? Is it easy to think? Or are you lost? It is difficult to get an answer for those immersed in the world of drama everyday. By asking very pointless people to build up this problem, I hope to find the meaning of the drama for the various people working in the old dairy farm. The theater tells a story. Kat Merriman of the technical intern says, " "The story is one of the oldest traditions of humanity." Actor and lighting designer Jim Vogt also recognized that "the theater is a mirror."

In his essay "Drama in Traditional African Culture: Modes of Survival", Soyinka believes that drama plays an important role in cultural attempts to destroy survival through external aggressive power. He pointed out the resistance of egungun to the influence of Islam in Oyo culture and the subsequent Muslim (and later Christian) imperialists tried to eliminate the role of traditional Yoruba ceremonial dance. In addition, Soyinka believes that drama media can be changed according to the needs of the times, and if necessary can contract with festival performances or oral poetry.

If you do not compete with your competitors, the theater will not survive. Ignoring movies, ignoring television, ignoring the powerful combination of videotape and CD entertainment makes the theater a spectacular cost to the audience. The theater no longer believes himself to be a different world. Every such adventure failed from the American laboratory to the contemporary group cultivated by the abandoned state during the economic boom. Discussions on eclecticism and the elite theater did not cope well with audience and financing problems. The theater must stand up and face competition. In a nutshell it must do what other industries do: enter the world market that does not protect lazy people and vulnerable people.