Why do people want to be actors?

As a trainee and supervisor of an actor, the best actor who seriously tackles the process is motivated by the following factors.

They are talented with emotional expression, language, physical, and psychological insight and ideal for this occupation.

They are interested in many things and by playing a variety of roles they can let them experience many lives in their lives.

The theater is like religion for them. Even though it is often very difficult and gives little reward, they have to practice everyday.

They like the connection between the performers and the audience, and when they are on the stage they will brighten even if their personal life is miserable.

They think that performance is a noble occupation (Jack Lemmon said in an interview), they are deeply involved in the widespread history of performance and drama.

People who have dedicated our true drama experts and our lives to craftsmanship understand the great love and devotion behind our choice. It is a very strange career in theaters, movies, or a combination of both. It requires a lot of work and sacrifice, and it is often difficult to maintain a balance between life and work. Due to lack of roles and intense competition, many excellent actors are often unemployed. Our family and friends usually do not understand what we are doing and why. Actors of Ancient Greece, Indian actors, and other civilizations are priests / witches and their role in society was spiritual. They are intermediaries / intermediaries of the gods. They appealed to the entire community in a very direct and concrete way. This vitality still exists in professionalism. That theater is strange, magical, eye-catching and consuming. There is nothing more than a live theater. Even great movies can not do as live dramas bind people together and bring Odyssey's emotional experience. It was Odyssey 's experience that fascinated the actor to the industry. They want to continue discovering more journeys that they want to explore than they desire. This is the same for the directors.

Yes, many actors have many meditation. This is a self-protection mechanism, because for action it needs to be so exposed and vulnerable. But many actors are often very modest at the same time and they deserve more respect than what they do and what they give than they receive frequently

The most important thing to me during the performance of the actor is connection with the actor - we will chat through Skype. It makes it possible to see if I want to work with an actor. For example, if an actor does not want Skype because he is not used to using Skype with the director, I do not think this person will take my work or work seriously. If you can not talk to someone on Skype, you will not be interested. I want to take a real person, not meat. I used artificial light in the sex scene, but this movie was taken with natural light for a more realistic and monotonous appearance. Color grading is also necessary to realize this "comfort" and dim light. Just like being in love with a sofa on Sunday evening

In my work, like an actor on the stage, I want to illuminate people with spotlight. More importantly, I hope the spotlights will illuminate them. This light from different angles emphasizes them, emphasizes the opportunity to happen, and individual moments will freeze. However, it is important not to disturb people's behavior and make it as inconspicuous as possible. Then the pictures taken in Amsterdam represented the typical atmosphere of Amsterdam. This makes me wonder if I can change this experiment to other situations in other cities. Shortly thereafter, I visited Madrid and Berlin, London and Paris. I am trying to capture the moments that may describe the atmospheres, interactions and attitudes these cities may possess. Can I see these things? I am always surprised

What I first ask the actors is that they want to do, they can scare people from time to time, or they can see it as 'ah, I do not know what you want'. 'But in some cases, I tried to put an actor in and force as many actors do not want to discuss things or dig down them. But for me, that is not the case. You have to be absorbed and beiled, one way is to ask the actor what they want to do. It also forces them to be more honest