Who was Vsevold Pudovkin?

The impression of this contrast dramatically increases, allowing the viewer to compare the two actions, while linking the starvation sequence to the solar eclipse sequence. Mr. Pudokvin says that: "Contrast editing is most effective but it is also one of the most common and standardized methods, so be careful not to overuse it." Cut out two scenes with no relation and focus on parallel functions You can combine by matching.

Bazin is skeptical of the editor as counterfeiting technology. He does not like the montage theory of Soviet filmmakers such as Pudovkin and Eisenstein. They insist that film art is based on editors. Those Russian filmmakers believe that real raw materials should not be intact, but fragment and juxtapose should show to the audience the potential relationship under the confusion of life. They insist that the art of this movie is as clever as any other art. Bazan objected. He believes that this technology makes it impossible for viewers to decide on their own. The ambiguity was excluded unconsciously among the editors, so the filmmaker forced us to accept his compulsion as truth, not his special truth. Soviet montage may be suitable for black and white simple advertisement, but he thinks it is a bit rough for the gray arrangement of art.

Promotion is a way to express and manipulate politics in movies. Along with the birth of propaganda aesthetics, Leif Furhammar and Folke Isaksson agreed with Russian producers Sergei Einstein and Vsevolod Pudovkin. Documentaries can be more effective advertising format than other types of movies. Expression reflects the reality and makes the audience 's operation more blurry.