Which Art Historical Method I Would Use: The Ideas of Erwin Panofsky and Adrian Piper

Knowledge about a specific topic needs a cultural background. People who are unfamiliar with the subject of the art work do not enter educational materials that provide the necessary information to enter the third stage of the essential meaning of Panofsky, taking risks beyond the frame of painting There is no doubt. The third step introduces the image of the painting; this step urges the audience to work as a detective to determine why the artist chooses to paint somehow.

An art historian most closely related to image analysis is Erwin Panofsky (1892-1968). Panovsky has brought his great learning to research in many fields, but the most important thing is to study the art of the Renaissance. In the early Dutch painting, I proposed a very special way to understand pictures made in Northern Europe in the 15th century. He believes that many apparently ordinary objects actually symbolize religious ideas, and the result is a complete "sanctification" of the visible world. But the problem is, "If it means that all shapes convey symbolic ideas can be seen as ordinary plants, architectural details, tools or furniture: How do we decide from skip? I answered my own question:

Among all students of Aby Warburg, Erwin Panofsky is the one who left image analysis which is the most important tool for art historians. Another Jewish intellectual escaped from Nazi Germany to teach at a North American university and dedicated his life to European art research but his legacy is all artistic theme, region, era It is a methodology applicable to. To the extent that I am thinking, Iconology has proven to be very insightful when writing about the race and expression of my doctoral thesis. The following images included in my work explain the contents described in the next paragraph.

Adrian Piper is a conceptual and analytical philosopher based in Berlin. She is watching works at the Museum of Contemporary Art "Adrian Piper: Intuitive Comprehensive, 1965 - 2016", so she wrote frequently this year. Artists However, this kind of report was created by someone else, not by Piper himself, and she did not elaborate on her work or philosophy. Long-term interview with Piper in May and June by e-mail to fill these gaps