What is the role of the illuminated manuscript in Christian art?

"(Lighting manuscripts) can shoot from one place to another, than any other type of art work, so in places that indigenous artists have never seen before, art It serves as a model of creation.If this book comes from a distant place, or if it is a work of the founder of the monastery, that miniature model will prove that. , The picture will be reproduced carefully so that you can go back to silver clues that penetrated the first millennium of Christian art.

"For us, the early medieval manuscripts that survived are often the only reliable witnesses of the entire era and cultural areas, no other studies are transferred to us at all and the format remains the same . "

In the great era of illuminated manuscripts, art of illuminators often plays an important role in the development of art. Portability of manuscripts is a simple means to communicate ideas from one region to another and even from one period to another. In general, the development of the picture in the manuscript is parallel to the development of the memorial picture. After the printing was developed in Europe in the late 15th century, the lighting was replaced by a printed illustration. See also scriptorium.

In the Golden Age of Islam, pottery, glass, metal products, fabrics, lighting manuscripts, and wood products prospered. Lighting of the manuscript became an important, highly respected art, miniaturized miniature paintings flourished in Persia. Calligraphy is an important aspect of the Arabic writing developed with manuscripts and architectural decorations. Many Muslims often draw nature patterns and Arabic calligraphy, not Islamic art, because they are fearing that idolatry depiction of human images is idolatry and therefore a sin against God in the Qur'an . There are repetitive elements in Islamic art such as iterative and geometric flower and plant design called Arabesque. The Arabesque language of Islamic art is often used to symbolize the transcendental, indivisible and infinite nature of God.

Along with the decline of figure paintings and figure paintings, the popular form of Islamic art developed in Persia is illumination - manuscripts and religious text, in particular the decoration of the Quran. Iranian illuminators were very active when Mongolians dominated this country in the second half of the Middle Ages, the art of lighting peaked during the Safabi Morning (1501-1722). The reproduction of religious works also stimulated the development of calligraphic decorative writing. It grew from the 8th century to the 9th century, almost coincident with the era of illumination manuscripts in Ireland, and it became a special product of Iran.