What is the climax of the play in Act III, and what is the turning point?

Macbeth pointed to the fact that McDuff did not come even though Macbeth commanded all the guests of the evening meal to order him to be there. He also said

At this point, Macbeth thinks he was away for a long time to get the throne. Recently, he may want to go ahead to defend the throne. He does not seem to know a little about the future of bloody and violence. He calls this idea a "boring" movement, suggesting that he is indifferent to it; at least he did not feel that strong. Previously, in the third act, the second act, Macbeth seemed indifferent. He said, "Dear wife, my heart is full of scorpions!" (3.2.39) He implied that death is better than his anxiety and torture:

Macbeth was badly tortured, so he tried to keep on torturing but not to die. Macbeth was no longer contradictory or pulled in two directions; he was no longer suffering from ways and ways. It seems that he is succumbing to his wicked side. It will determine his behavior from here (so that innocent Mrs. MacDuff and her children will be killed)

The climax is the turning point of the play, that is, the place to resist the main character. It is sometimes called the "drama center". In this play it happened in the third act of the third act, the French escaped. Therefore, Macbeth did not fully achieve the goal he pursued. He was distracted by fear and illusions, lost control (III, iv), he knew that he was going to fail at this point. The gods destroy them, and they get crazy for the first time. One of the most impressive things about Macbeth 's behavior is the careful preparation of Shakespeare. Many plays and many novels were completely destroyed by impossible or impossible events. However, Schiller said, "The use of accidents in art and living often leads to great things," Shakespeare got a clever opportunity in the first half of the script.

Usually in Shakespeare plays, the first act introduces the majority of the important personality and sets basic questions and conflicts. The second act expanded the conflict and expanded. Then the third act provides a turning point, a certain irreversible act or sequence of actions. In other words, the hero and the character can not return to the previous pose after sending the action representing the turning point. (For example, the turning point of Romeo and Juliet occurred in the murder of Robert Tibert in Act 3 Act 3. This behavior is irreversible, and the audience believes that the actions of Romeo are the ideals that Romeo found him and Juliet The love to love, including all the tragic deaths of the two lovers, and all subsequent events are logical and unavoidable consequences of this turning point.