What clues are there that Miriam is not real in Truman Capote's "Miriam?"

In Truman Capote's "Miriam", it may be that Miriam's false clues point to making her features and actions meaningless.

Millian's hair sounds unusual. However, if Mrs. Miriam represents the depressing psychology of Mrs. Miller, an older woman may imagine her younger (long hair) gray side. Aging)

Miriam has never been to a movie before. She told me not to allow movies to be seen alone, so she asked Mrs. Miller to buy a ticket. Because she does not exist, Miriam may not buy a ticket? In the minds of Mrs. Miller, she may believe she took the coin from the coin, but when she gathered coins for her tickets they were taken from her purse It might be a coin.

Until the correct admission fee was collected, Mrs. Miller stabbed her leather handbag.

Who is allowed? When Mrs Miller met Miriam for the first time, the older woman was "looking for something distracting". Maybe Mrs. Miller "creates" young Miriam

If a nonexistent person can not answer a few questions, Miriam does not answer at all.

There is no complicated personality - since she is a novel of Mrs. Miller's imagination - Miriam can not answer questions about real historical figures

Mrs Mirror Mirror may know that Miriam is not true. After all, she may not consciously recognize this, but may adults send children in the snow alone at night? Is she not calling the police?

"...... Please look ... - If I make some beautiful sandwiches, will you go home as a good girl, it's already midnight, surely"

"Well, you must not come from here," Mrs Miller tried to control her voice. "The weather can not go wrong.If you want to eat something, you must promise to leave."

Kapotte introduces typical young people in a sense. Miriam wants to eat something, she wants to see a bird sleeping, she wants to eat sweets

Mrs. Miller believes that it is not her hair really, but her hair, they are her eyes; they are stable with a light brown color and lack the quality of childlikeness.

Miriam scares Mrs. Miller of Mirror, contradiction of her childish appearance and adult behavior.

Miriam Miller told her that she wanted to leave, but went out and bought what the child sought. Mrs. Miller said to Miriam, 'Please leave me alone,' but her behavior contradicted her remarks. When the child arrives, Mrs. Miller opens the door.

"... It is not certain to witness something ... Miriam is lively there - - but where is she, where and where?" In a fictional short story, Miller Hill Miriam is in the apartment It is a strange, magical girl who is suffering from the widow, Mrs. HT Mirror living alone. Throughout the short story, Miriam is still strange and mysterious, and the result of the story is not definitive. But through the evidence found throughout this article, the reader can guess who Miriam is or what. From my point of view and the evidence I gathered, I believe Miriam is a supernatural existence; an Angel of Death who likes to "vacate" for a while with the victim and then take her to the kingdom of death is.

That night, I read an interview with Truman Capote. This was when 1977, Capapé was in the early 30s (when I published "Miriam" in 1945, he was only 20 years old). The interview is absolute fun and provides some short story techniques, including answers to prose "control" questions. By controlling me it means to keep the style and emotional advantage of your material. Call it hell calling it precious, but I may fail the story due to the wrong rhythm of the sentence - especially if it happens last - or paragraph mistake, or even punctuation may fail I do not believe it. Henry James is a master of the semicolon. Hemingway is a top scholar. From the point of view of the ears, Virginia Woolf has never written bad sentences. I am not trying to imply that I practiced my sermon well. I'll try it, that's it.