Wagnerian

Wagnerian I have a friend Matthew, he is Wagnerian. For those who do not know what these alien species are, "Wagner" means that someone is listening to Richard Wagner's opera, and the degree of love for them is unreasonable. And he is always surprised that I have not reached Wagner's level. When I called Wagner as the original Nazi, he also called me once. Of course at the time we were all drunk, but still you would pay more respect and may like Matthew's work on Richard W's work.

If I think about what you like and what you like, I think of 18th century classical music, Wagner opera, some traditions in graphic novels, and some television programs. You can add more to the David List. But for all the others, for me, for what is serious art I want to say that I like what some people like. If fanatical and faithful people say "This is the best thing in the world", at least I will say "I want to try it, I want to see what it is".

Oh, do you want to know why Big Boi and co-producer J Beatz chose Georg Solti Aida's record in 1962? It is not certain but Solti is also Wagnerian and may be due to an agent giving a kind of blow to his Verdi command. I say: heavy is heavy, it speaks different types

Tristan and Isolde 's micro recordings by Wilhelm Furtwängler for 19 years have long stuck with opera fans. This is one of the earliest complete recordings of the opera, with the famous Wagrian Kirsten Flagstad as the hero. Recorded for EMI by British record producer Walter Legge, the album occupied the center of Wagner Records for a long time. However, recording is also a particularly notorious moment. The second act Isolde's treble Cs was sung by the young German soprano Elisabeth Schwarzkopf, not the old Flagstad.