Vladimir Tatlin and Naum Gabo Modern Art

In this article we will explore the difference between Vladimir Tatlin and Naum Gabo in the role of avant-garde artists and how they influence their work. Russian design pioneer Vladimir Tutlin is representative of Russian realism. He left the house at the age of 15 and served on the ship. When he became a painter, he often represented sailors in his photographs. The art and culture after the revolution is a tool to create the aesthetics of industrial aesthetics. The Tatlin project "The Third International Monument" (1920) can be regarded as a construction work as a sculpture made up of a diagonal iron spiral.

Naum Gabo is a colleague and friend of Tatlin, Wassily Kandinsky, Rodchenko. He began using a new plastic structure woven from a nylon filament, very close to the mathematical model. After exploring the relationship between art and science, his model of "Linear Architecture" series reflects his later modern physics. Nylon thread wraps the base of plexiglass in a completely mathematical way. Contrary to many other constructivists, he is participating in sports with pure spiritual awareness. Gabo is also interested in dynamic sculpture and can be seen with a rotating twist fountain in London. The main structure is made of stainless steel and invisible water is used as a complete moving element to complete a 4 dimensional combination. The ejector pulsates and rotates at various levels. Especially rhythm

Constructivism is an avant - garde movement of art and architecture established in 1913 by Vladimir Tallinn of Russia. This word expresses the art and its function, supports countering the traditional arts, building the art used as a tool for social purposes, the socialist system. Reflecting the revolutionary era, most art is a fusion of art and political thought, not a purely abstract concept, but to achieve political goals with modern industrial materials such as plastic, steel, glass etc. You need to "build". Most constructualists like Tatlin believe that paintings are dead unless they are expressed as a physical architectural blueprint and function as such. Because of this idea, most constructists are mainly engaged in ceramics, fashion design, graphics and architecture.

During the turbulent era of Russian Elite Vladimir Tatlin in 1913, architects, painters, and sculptors planted constructivist seeds - this art and architectural philosophy rejected art. Concept of autonomous elitism. They believe that architecture, politics, society, art, technology and culture are united and interrelated. Movement to support the art as a social purpose. Vladimir Tutlin wants to integrate art into contemporary objectives to adapt to the goal of the Russian Communist revolution