Vladimir Prop advocates a good debate on his "morphology of folktales". In examining his hypothesis, he compares the theme of about 100 stories and suggested an expression that finally concludes that there is really only one fairy tale in its structure. He described the story according to its constituent elements and compared the relationship between these components and the whole. (鞑靼 382).
Russian formalist Vladimir Prop, in his book 'Morphology of Folktales', states in a very abstract language in Russian folktales. A set of repeated plotting devices. Not everyone is there and the stories they study do not all occur in the same order, but it's an important part of how to treat text as a fairy tale. This is probably one of the turning points discovered first. Prop does not mean that the "function" he finds is common in novels (but some are very general), nor are they detailed descriptions of fairy tales. Fairy tales are actually very similar to Propp's research)
Vladimir Propp - In the story morphology (Leningrad 1928), you can find elements of formalism. This publication contains a structural description of 100 Russian folklore. Vladimir Propp divides the story into several categories. So, he created a set of 31 functions tagged with specific symbols and matching each letter in the character in the graph. Interpretation was originally applied to the interpretation or interpretation of text. It was a theory of human understanding in the late 18th and early 19th century by Friedrich Schleiermacher and Wilhelm Dilteau's work. Modern interpretation includes linguistic and nonverbal communication, semiotics, premises and pre-understanding.
Ethologists classify fairy tales in various ways. The most noteworthy is the morphological analysis of the Aarne-Thompson classification system and Vladimir Propp. Other folkloreists explained the importance of the story, but the school is not determined by the meaning of the story. Some folkloreists tend to use the custom defined by Thompson, the German fairy tale or the term "miracle story" in his "Bible story" published in 1977. The story moves in a fantasy world without a clear place or a clear creature.