Vladimir Kush: A Russian Artist

Vladimir Cush was born in Moscow, Russia in 1965. Growing up in the city, Cush really wants to leave a boring atmosphere to explore the world, so he dreams of a faraway place to entertain himself. At the age of 4, he started painting with amazing skills. At the age of 7, Kush went to art school and his talent grew rapidly. Five years later, Vladimir started painting in various styles. This helps him to develop his creative style now he calls "figurative realism" in many symbolic meanings. Cush is very concentrated in art, he went to school on a high school day, but in the evening he studied painting and sculpture.

"Baby Dummies" created by Alexander Rodchenko and Vladimir Mayakovsky in 1923 is a unique poster featuring a dummy style for children. Russian artist Rodchenko and Russian Futuristic poet Mayakovsky worked together during the First World War and the Soviet Republic after the civil war from 1923 to 28. This verse of Mayakoffsky is roughly translated as "You are not a dummy, please bring it back to the elderly, please sell everywhere". For baby advertising, this verse sounds very dull and sharp, it is common as you usually see a virgin or soft poetry. This helps to convey the idea that it is not actually an advertisement, but actually a poster.

Established in 1757, the Russian Academy of Arts provides International Roles and Status to Russian artists. Ivan Argunov, Dmitry Levitzky, Vladimir Borovikovsky and other 18th century scholars mainly focus on portraits. Early in the nineteenth century when neoclassicalism and romanticism flourished, myths and biblical themes stimulated many famous paintings, especially Calblov and Alexandre Ivanov. In the mid-nineteenth century, groups and universities of Peredvizhniki (wanderers) artists broke and launched the art academy freed from academic limitations. Most of these people are realistic painters who capture the identity of Russia in the clear landscape of vast rivers, forests, and white birch, their strong contemporary genres and powerful portraits.

During the turbulent era of Russian elite Vladimir Tatlin in 1913, architects, painters and sculptors planted constructivist seeds - this art and architectural philosophy rejected art. Concept of autonomous elitism. They believe that architecture, politics, society, art, technology and culture are united and interrelated. Movement to support the art as a social purpose. Vladimir Tutlin wants to integrate art into contemporary objectives to adapt to the goal of the Russian Communist revolution