Vittorio de Sica's The Bicycle Thief

Since Vittorio de Sica 's bicycle thief has existed as a country, Italy has been facing major challenges in establishing its position as a unified political and social entity. The geographical, economic and linguistic differences between the regions and the artificial methods in which they are integrated have caused the legitimacy problem of the internal department which continues to dominate the political situation of the country to date. Many historical failures in Italy, such as disastrous participation in such two world wars and the rise of fascism, further exacerbated the domestic problem that has plagued it since Risorgimento.

As often noted, the original Italian title of Vittorio Desica's "Bicycle Thief" (1948) is Ladri di biciclette, or "bicycle thief", which indicates that there are multiple thieves in the story I will. This distinction is important as the story was built in a specific social postwar Italian context with the aftermath of economic destruction spreading thieves. Focusing on everyday struggle is not the escape studio product that is beyond the age, Hollywood or Italy, it is the main focus of Italian Neoliburist director who wants to draw reality in a more faithful way . Cinecitta. Other typical functions of neo-realism include location shooting and use of non-professional actors. In particular, it is impossible to exaggerate the international influence of the Italian realityist movement and the bicycle thief. (1988) and most modern Iranian films

"The Bicycle Thief" (1948) by Vittorio De Sica depicts a perfect example of neolitism style. It is the story of Rich family who was deeply influenced deeply physically, economically, mentally and emotionally in the late World War II of Italy. The main character of the movie, Lamberto Maggiorani, finally found a movie poster, but in order to do the work, he had to have a bicycle. He and his wife, Rianella Karel, then drew their sheets to get enough money to buy his bicycle from a pawnbroker. Rich started working only to steal a bicycle on the first day. Matteo Ricci and his son Bruno (Enzosta Lara) were not so fortunate and then kept searching for an endless search for actors and bicycles.

In 1944, director Vittorio de Sica began working with writer Cesare Zavatyni. Bicycle thieves are their third movie. They will collaborate 22 times in total, including yesterday, today, and tomorrow (1963) and Finzi-Continis Garden (1970), De Sica's winner of two competing Oscar winning foreign language movies I guess. Zavattini brought Luigi Bartolini's novel to De Sica and suggested that they turn it into a good movie. The hero hates the poor and is an artist who is following the bicycle stolen by the second person he keeps. De Sica and Zavattini collaborated with numerous writers to turn into stories of unemployed who lost their job for years because of the theft.