Vittorio De Sica’s Neorealist Change of Heart

As we cross the time and history, the world goes through different stages, but some of these stages do not have similarities to the final stage, some stages overlap each other. One stage in Italian film experience is neo-realism. As with everything else, all phases will end. Umberto D of Vittorio De Sica is considered a new realism in Italian film history. However, as Vittorio De Sica did in the golden age of new realism, Umberto D has a new realistic aspect.

Cesare Zavattini is an Italian journalist and script writer of Italian neo-modernist script and is known for collaboration with director Vittorio De Sica. After obtaining a law degree at Parma University, Zavattini wrote two successful novels - Parliam tanto di me (in 1931, let me talk much about me) and Il poveri sono matti (The Poor Are Crazy, 1937) - Drawn Milione (I give 1 million dollars in 1935), starring Vittorio De Sica, before scripting Mario Camerini's classical social satire. During his lifetime, Zavattini completed 126 scripts, of which 26 were director or actor of De Sica.

The phenomenal despair of Vittorio de Sika in 1947 and the survival of the recession after the war by Italy have won a special Oscar due to its influence. Daisika made use of contemporary living environment to shape desperate father's moving drama and was shot in Roman streets and alleys and when the bandits on the street steal the bicycle, his new work is to post a movie poster I threatened. Too much to buy another one, he and his son went to a street impossible to find his bicycle. This revolutionary movie combines real life details, poetic images, and warm emotions to define the way of Italian neo-realism. Desisha witnessed everyone's life with wanderers but in the end he was a father and son played by non-expert Lambert Maggiorani and Enzo Stariora whose discreet performance included the core of the film I drew a quiet and beautiful portrait of. . - Sean Axmaker