Viola and Beatrice in Twelfth Night and Much Ado About Nothing

Both Viola and Beatrice play the role of male and Viola plays an eternal bachelor 's degree and a clown' s of male servants and Beatrice. "Anyway, I was born to say all pleasures," she told Don Pedro [II.i.343-4]. Like Hermia, Helena, Titania, Gertrude, they are actors and manipulators, much more passive and operated than women's predecessors. These women did not seem to have mastered their fate, but they were deceived by the plan of men and later ridiculed or insulted by the conspiracy of men.

Shakespeare's late comedy in the late 90's depends heavily on strong women and is participating in the struggle between the two sexes - at Addo's Beatrice, with your favorite Rosalind, Viola's 12th At night. On the evening of the twelfth day, before Cleopatra in 7 - 8 years, there was no greater woman any more. Perhaps a very talented boy in Shakespeare grew up, left or was dying, as he played the role of women on the stage of the Elizabethan era, and if he needed it in his company's structure I had to change his genre to fit.

At the early stage of Shake Spear's theater, there are many people who do not know that the difference between Beatrice and the main character "Theater of Shake Spear:" Nothing happens ". cousin. These two seem to be completely different at the beginning of the game, but as the situation develops and characters develop, there are some very obvious similarities between them. Heroes have a very intimate relationship with Beatrice; they are best friends. - Despite the strong domination of Queen Elizabeth in the middle of the 16th century, British women of the modern age had little social, economic and legal rights. According to the British chest system, married men and women become one under the law and hence "all the legal rights and responsibilities that a woman must assign to her husband when she gets married" (McBride-Stetson 189 )

For the majority of Shakespeare, Claudio gave his marriage to the hero, so he had the opportunity to attack her in the public, but Beatrice and Benedict played in the first three games. In most cases, it was a fatal enemy, but he got married. How can you handle this situation? Beatrice and Benedict use the most extreme metaphor to prove each other's contempt and marriage, and Claudio expresses his rights