Vik Muniz Photographs

Vik Muniz 's picture I saw a very unique series of photos called Seeing is Believing by Vik Muniz. The image of Vik Muniz is not only photographs but also photographs of complex artworks he made early. Using various non-traditional materials such as sugar, chocolate syrup, sewing thread, cotton, wire, soil and so on, Muniz first creates the image and photographs it with sculpture operation. Muniz's photos include portraits, landscapes, X-rays and historical images.

Photographer Vik Muniz was born in 1961 as a working-class family in Sao Paulo, Brazil. As a young man, he was shot and took financial compensation for his injuries. Muniz went to New York with the money and lives in New York today. During Muniz's artistic career, he continued to use material that is not moldy (such as sugar, chocolate sauce, diamonds or peanut butter and jelly) to make portraits and famous pictures, but symbolic I made a new level of meaning through multiplication. Material used to draw the image. This three year project is properly called with images of the Junk series; they are images created by the fusing and careful placement of city debris. But it is worth mentioning that these works are attributed not only to Muniz, but also to Brazilian Jardim Gramacho, an informal worker who can clean up reusable materials in landfills.

In the 2010 documentary film "The Wasteland", Brazilian-born artist Vik Muniz went to his hometown town and photographed and recorded many workers in the world's largest landfill site Jardin Gramacho. With the help of Muniz, workers gathered millions of recycled items at the choice of Jardin Gramacho every day to make a series of huge self-portraits. This project is aimed at providing workers with a new perspective on themselves and their communities that are plagued by poverty and dangerous working conditions. Part of the income from sales of these portraits was returned to workers and film producers of Muniz and the wastelons donated over $ 200,000 to workers' cooperatives, including those who took them.