Victorian Painting

Victorian paintings Victorian paintings consist of several schools, such as romanticism, realists, former Raffaello schools. Repetitive themes include corrupt women, fairies, family scenes, historical scenes, landscapes and portraits (Sporre 509-511; Victorian Web). A romantic painter, focusing on escaping the rules of classical works, opens paintings as imagination and individual drama. This is not an objective meaning. Romanticists also discovered the power and importance of colors, not shapes and shapes (Sporre 489-90).

Uses related to the most obvious color in Victorian paintings and poetry are relationships with female characters. The most desirable woman among Victorian art and prose is almost always expressed as pale, pale, and white. Their colors not only represent their beauty but also the sad inability and mysterious erotic qualities they have. The more embarrassing, white and ghosts they are, they are more attractive and ideal. For example, Tennyson's most popular woman features not only a ghostly white appearance but even white clothing. Mrs. Charlotte who passed through the lake was expressed as "dead pale" and "snow robe." The color here shows the perfect purity and beauty of her willingness to sacrifice her life for love to the reader. A perfect Victorian woman represented in a single color

Victorian paintings convey discrimination problems by wealthy classes. Facial expressions show how poor women and children survive by selling flowers on the street. The color used depicted a higher level mother and daughter who made a mistake because they refused to help the poor. This work expresses the problem of the Victorian era, it is a painting of social realism that delicately uses color and landscape, I will appeal to me. This picture follows the law of one third and turns the viewpoint to two main characters. One is black (representing bad / bad) and the other is white (representing innocence and purity).