Vasu's Influence Upon Nataraj's Development in R.K. Narayan's The Man-Eater of Malgudi

The influence of Vasu on the development of Nataraj of Ras.K. Narayan was told in a creative and interesting style Malgudi R. K., Malawi's cannibalization eclipsed an impressive person and environment. This novel addresses the adaptability of society when facing change. It is best shown by the actions of the two main characters, Nataraj and Vas. Throughout the story, Nataraj is sensitive to Vasu's behavior and has created many changes and developments in his own role.

The malignant race of Malgudi is a fable that shows evil is self-destructive. In this novel, Narayan uses the myth of Bhasmasura. The title of this novel is ironic. The person who eats in the novel is not a tiger, but a powerful person Vasco, not only killed a lot of wild animals but also killed it with a fist like a hammer. yourself. The first person in this story is a tragic comic hero Nataraj, Malgudi printer. In his printing work, he is Sastri's assistant, he is a synthesizer, a proofreader, and a robot. Among immutable companions, one poet is writing the life of Krishna God, and Mr. Sen is a journalist who is always flushed to Nehru. A smooth and harmonious life of this small group was influenced by the arrival of Vasu who came here as a tenant to the room above the trout.

You rarely read and meet an Indian who has never tried to describe the life of Malgudi in his novel as a child. Narayan is featured in some of his most famous books, including Swami and his friends (1936) and Margudidi (1942). He is the first English writer in India to gather readers from all over the world and to dramatically change the literary circles of the country. An award-winning writer is known for his work, Midnight Child (1981), who won the Booker Award, and Satanic Poetry (1988), a controversial piece. But this acclaimed writer has 12 published novels and some nonfiction works and is an important person in South Asian literary circles.

Narayan can be said to be a more creative regional novelist. The story of Narayan has a functional place - the world of imagination - Margudy. Margudy is a southern Indian town offering almost all scenes of Narayan novels and short stories. The class between the traditional Narayan character and the modern Naraya character is ironic. Among his novels, modernity is an impulsive and impulsive force that collapses the peaceful balance of traditional life. The characters in this confrontation appear in cartoons and grotesque characters. Narayan is a writer completely devoted to spiritual and religious concepts indispensable to Indian life without being disturbed by Indian regionalism, religion, actor, class problems. . Writers need to master. Narayan is a short story writer and a novelist with a limit.