Using Stanislavskys Method in The Lion and the Jewel by Wole Soyinka

Theme: Konstantin Stanislavsky convention can be applied to the performance style of the first scene of "Lion and Gems" by Wole Soyinka and to the performer's skills. In Wole Soyinka's work "Lions and Gems", using the method of motivating Stanislavski to perform the acting style and technique of Laquille, it increases the understanding of the theme in the audience's play. Lions and jewels are comedy players to solve Yoruba customs.

Wole Soyinka was born in Abeokuta, Nigeria in 1934 under the name Akinwande Oluwole Soyinka. His father was the principal of a local missionary school, and Soyinja was exposed to literature at an early age. He quotes the atmosphere of knowledge created by the existence of his father and his friends. And it had a great influence on his later academic career. In 1952, Soyinka studied at Ibadan University, then entered Leeds University and began participating in the drama. His first screenplay (The Swamp Dwellers and The Lion and the Jewel) was published while Soyinka was still in the UK, but Soyinka joined Rockefeller research scholarship to return to Nigeria to pursue drama To do. As his reputation as a playwright rises, Soyinka becomes more aggressive in the politics of the new Nigerian state.

After graduation, Wole Soyinka stayed in Leeds and tried the drama. In the meantime he first appeared as a playwright in his main work "Swamp Dwellers" (1958). Members of the Royal Court Theater in London highly appreciated his light comedy "Lions and Jewels" and encouraged him to move to London. These plays discuss the tension between Nigerian tradition and progress. After serving as a theater theater, he got the opportunity to invent invention at the Royal Court Theater in 1957. In addition, he published several poems such as "my neighbor" and "immigrant" in the Nigerian magazine "Black Orpehus".

Wole Soyinka is a playwright in Nigeria, and is the author of a prose "serenity bell". To illustrate his experience with solitary confinement Soyinka uses an explanatory language that encompasses his vision to better stimulate the reader's experience. The most impressive part of the "silence bell" explains his limited vision and how difficult and terrible it is to express a kind of experience to the reader. Since Soyinka tries to see signs of life through voyeurism, there are several ways to connect with the outside world.