Use of Tone, Irony and Humor in The Hammon and the Beans

Using the tone of Hamon and Beans, Ironest Hemingway, sarcastic and humorous, once explained as follows. "The problem of the author does not change, he will change, that it is a part of the experience of the person who is reading it, who wrote the real thing and found the real thing" The attitude and "projection" of the author's story He is keynote speaker. The difficult aspect of writing a master, condition is a way to change articles from satisfaction to demonstration.

In the novel, you can tell from the choice of the author's words and actions. The keynote lecture "A nice person is hard to find" combines humor, separation, irony and seriousness. Through the story of O'Connor, readers are facing humorous explanations and circumstances like in this story, the narrator says the child's mother is "facing a broad face like a cabbage" . . . It is connected to the head with a green scarf and two rabbit-like ears. "O'Connor approached the character in a way that separated in the story, in other words the voice of her story did not help the reader to sympathize with her character.In the end of the story, As it happens, the condition becomes more serious and tragic O'Connor suggests situations where ordinary people face the power of pure evil.

The overall tone of Amontillado's Poe's Cask is disturbing and sinister. He made the audience feel uneasy using irony and calm humor. The lack of trusted narrator and lack of explanation of revenge and character's motivation can create sinister hints as if the audience missed the main part of the story.

These are just one of many expressions of humor and black humor in the novel. Always playful tune creates a gradual and cumulative satirical sense, confirming that it is a subtle sense of humor in the contradiction of the novel. Therefore, the story includes several "important characteristics of postmodernism" such as "know sarcasm" and "mischievous ambiguity and diversity" (Sim 2001: 237). Playful, black humor depends on Jack Derrida's "play" concept.