Use of Parody, Foreshadowing and Figurative Language in Jane Yolen's Fat is Not a Fairy Tale

People are born with different facial structures, heights and shapes. But in our present society, most people imagine that the ideal woman is tall and slim. In Jane Yolen's poem, "Obesity is not a fairy tale," speakers imitate, predict, and express through her figurative that one day a beautiful and more comprehensive image of a woman is predominant To do. Yolen effectively uses his imagery to use imitations and think that the princess of Sidhe should be considered thin and not beautiful.

"Author Jane Yolen is ancient in this collection of 30 integrated fairy tales - cute, lyrical, sharp, sometimes terrible strain and deformation story, magical fate and dangerous mission, strange difference - Tell the magic of Nebune Award, World Fantasy Award, Yellow, Brother Grim brothers and Brothers Andersen who have won many honors occupy her position combining innovative literary style and allegory with ancient myths I reconsider some myths of her legendary predecessor.The most cherished characters are Cinderella, Jane Jack, Genetville, Icarus and the Prince of Frog. "

People are born with different facial structures, heights and shapes. But in our present society, most people imagine that the ideal woman is tall and slim. In Jane Yolen's poem, "Obesity is not a fairy tale," speakers imitate, predict, and express through her figurative that one day a beautiful and more comprehensive image of a woman is predominant To do. - One of them, the beast who created the sample robbed her of her life, and her guardian tried to rejuvenate her. On the other hand, the prince learned about the value of his frog becoming a princess and started looking for her. Joy Williams 'Baba Iaga and Pelican Child, and Alexander Afanasev' s The Frog Princess are an important aspect of the type of fairy tale.

According to Jane Yolen, 'The gift of words is magical' (89). This gift is for fairy tales for children and adults. These stories form the major experience of literature, and therefore lay the foundation for all future experiences. In addition to participating in the story, we must also participate in the language of the story. Like kindergartens, children learn how the language works, and how to define and shape the world through third party narrator, dialogue and soliloquy, various voices of poetry and rhythm. Different events will require different sounds, the reality will change to language (as can be heard in each important prophecy with direct reference to "Ono Rose") - two stories the story provides as part of that gift Precious facts. . "(Three small characters in the tree) People need to start with" There was a person who reads himself in the oldest story, the story we call "life".