Unity in Bach's Cantata No.78

According to Rowell, in Bach's Cantata No. 78, "Music has become long and composers have been forced to develop new ways to maintain unity and continuity for a long time." Because of that, Texture is very important. When I saw the music text of J. S. Bach No. 78 cantata, I noticed that the work was well integrated into one movement and passed through many techniques as a whole. Some of these techniques are in the text and other technologies are in music.

Vocal work. Contacta. Every Sunday during the long years of his life, the theme was chosen according to the Lutheran calendar and visited the contaater performances led by St. Thomas' Church. Bach served as a choir and other composers, but in Leipzig he created at least three complete annual cycles of contour dancing. Every Sunday and once at each religious festival. In addition, he created many contactors in Weimar and Mulhouse. Total wrote over 300 Contata about mental problems, but only 195 survived. Bach's contamination is very different in form and instrumental aspects. In fact, some of them are written for sound, some are chorus, some are for running the big orchestra, and some are only - a few instruments. However, the most commonly used models are as follows. Cantata provides a solemn chorus entry, then provides alternative narratives and arias for soloists and duo and completes the whole chorus.

Based on chorus. Most solemn instruments are ready for the song that the congregation sends out for worship. Bach also adapted the contaita for earlier Italian opera to around 1600, for the sacred purpose, once to a fascinating eroticism of secular format. Adopting church contactors, often instrumentalists, choirs, and vocal soloists, sometimes only as solo soloists, will be clarified before the sermon and double contactors will be held before and after the speech. The chorus chorus will incorporate words and music into hymns, and Bach forms the complete cycle of these choruses. And cover the whole ceremonial year. During his tenure at St. Thomas in Leipzig, he ran out of Contata every week for four consecutive years; there are about 200 people in existence. Gardner is a professional choral conductor, most of his extraordinary works are his

After taking office as Thomas Cantor in late May, Bach showed marijuana every Sunday and holidays. This is consistent with this week's reading. His first contour cycle began on the first Sunday after Trinity in 1723 and next Sunday in Trinity next year. For example, visiting cantata including English chorus called "Jesus, the pleasure of human desire", Hertz and Mundt and Tutt and Leben, BWV 147 belong to the first cycle. The second year chorus at Leipzig was composed as a chorus chorus format work, so it was called a chorus chorus cycle. His third consecutive cycle was developed over several years, followed by the Picard cycle from 1728 to 29 years.