Twyla and Roberta´s Friendship in Toni Morrison’s Recititaf

This seems to have changed after the event with Magee. Twyla talked about their similarities, the only person who did not have a beautiful dead parent, was bound there, got terrible results, and enjoyed every night. It is time for mothers to meet. They went to church with the girl. Taylor believes that her daughter's mother is a good thing to see Robert's sick mother, and I hope that the friendship of girls will be spread to their mothers. The progress of the meeting was not smooth.

Toni Morrison's Recitatif: The innocence and friendship of Twyla and Roberta Recitatif's children seem to be able to see the best of all. In Toni Morrison's short "Recitatif", these two principals became friends of the children. And because of their innocent nature, it seems almost eternal. When a person is in puberty it seems easier to become difficult ... the innocence of a child makes it easier to associate with someone and as we get older Society hinders us from continuing our old friendship and pursuit. New Friendship

In Recitatif, ethnic identity by Tony Morrison, Roberta, Tvera is an ambiguous partial story. From the beginning, it was clear that Roberta and Tvera had different races. Through stories, each character develops more and more, but it does not necessarily lead to the racial conclusion of each girl. Many features may indicate black or white girls. More importantly, it confuses the problem by determining the method and leading the reader to change his / her thoughts in one minute. However, I think that this is the only focus in this story scenario.

Toni Morrison's memorable Arioso Pulse in the memory of "Recitatif" explains the intersection of the lives of two different ethnic women. The story narrator Twyla and the opposite race girl Roberta was abandoned by his mother at the country's St. Bonaventure. The girls were tied up with abandoned and joined together to tie the distribution time and friendship at St. Bonnie. One day, the girl witnessed the quiet kitchen worker Magee felling in the apple garden as the big girl in the state despised Magee.

Morrison designed a skilfully coordinated role to contain self contradiction that constitutes the national relationship between Twyla and Roberta: Maggie. Maggie 's uniqueness is that her ethnic identity is still less illegible than the girl' s race. In this case, Morrison 's disarrangement against Mari race has pursued a deeper meaning rather than indicating that it is her intention to fundamentally abandon ethnic barriers that impede the development of interpersonal relations Can be guessed. In other words, thinking of Maggie, Towira explained her as follows: "Maggie is my dance mother. I am stupid, I know she does not scream. A little - (Morrison, 1983, pp. 17-18). Reflecting on this, Twyla identifies her and herself through Magee.