Two Views of War in Poetry

There are not two views of the two wars in poetry that can influence society like war. War can be regarded as noble and justice, cruel and inhuman, and everything in between. War can make a person a hero, or it can make him a criminal. War affects everyone in society regardless of whether they are fighting in entrenchment or waiting for their loved ones to go home. War is the subject of countless literary works, and two different aspects of war are revealed in Wilfred Owen 's poem "Dulce et Decorum Est" and Richard Lovelace' s "To Lucasta" poetry. .

War poetry is a relatively new class of poetry. Stephen Crane and Wilfred Owen are the two poets who witnessed the war and wrote many poems about war and detailed poetry. The similarity between Stephen Clan and Wilfred Owen's war poetry seems to be relatively small compared to important differences between images, symbolism, and impressionists. Stephen Crane was born on November 1, 1871 in Newark, New Jersey. He went to school for the first time after moving to New York later. Klein's father died, her mother returned to New Jersey and died 11 years later. Klein studied for 1 year at Syracuse University in New York and then released the first war poem "Black Knight". Later, the crane suffered a shipwreck on the coast of Florida. And it is the foundation of future books and meet with the prostitution house, the boss of Cora Taylor.

One of the most striking facts about the First World War is that it inspires an amazing amount of poetry. Some of the best UK war poems ever made were written between 1914 and 1918. In evaluating British poetry of the First World War, it became a tradition to see a clear difference in the output of poetry. It was claimed to be an early poem written before the Somme War of 1916, focusing on the struggle of justice, the knight and the hero of the army, emphasized the attention to the image of victim of sacrifice and St. George. The dragons of England and the Central Army, and the latter poems represent the disillusionment of participation in unnecessary consumable warfare and the cost of breaking the modern human warfare. There is much evidence to support this view, but there are signs of anxiety in most of the early poems of war.