Two Portraits by Leonardo: "Ginevra de' Benci" and the "Lady with an Ermine"

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A woman of suede (Italian: Dama con l'ermellino, Polish: Dama z gronostajem) is a painting by Italian artist Leonardo Da Vinci, which is one of Polish national treasures between 1489 and 1490 . The subject of portrait was Cecilia Gallerani who was the mistress of Ludovico Sforza, Duke of Milan and Leonardo also participated in Duke. College service This is one of the four women portraits painted by Leonardo, the others are portraits of Mona Lisa, Ginevra de 'Benci and Labelelferronnière. Paintings were purchased by the Polish Ministry of Culture and the National Heritage for the Czartoryski Foundation of the Krakow National Museum in 2016 and are exhibited in the main building of the museum since 2017.

I will lose Leonardo da Vinci, Ginevra de 'Benci, c. The automatic face lifting function from 1474 to 1478 is very consistent with the portrait effect of Ginevra de 'Benci. Automatic function works perfectly with this function. This may be my lack of skill, but when I try the manual option, she frowns me and starts frowning. Sandro Botticelli, the birth of Venus, 1484 - 1486 is not to say that the goddess of love and beauty needs it, at the moment she was born, but to make Venus's legs more Use 'higher' function for longer. This is very easy to use. Just drag the blue slider to select the foot part and use the main slider to lengthen your feet. That is to stretch a part of the image, but there is amazing distortion in the background.

Another related picture is one of the most famous works of the permanent exhibition of the National Art Gallery in the United States, Leonardo 's Ginevra de' Benci was completed at some point in the late 1970 's. There are some uncertainties about the exact date of the picture and the timing of its creation, but the inscription on the back side of the picture, Virtutem Forma Decorat - "Beauty Adorns Virtue" - provides useful clues. Laurels and insects with inscripts inscribed with inscriptions came to Florence in the late 1870s and declared that Ginevra de 'Benci was his "Plato love" during his visit, Ambassador of Venice, Bernardo Benbo's individual It is a symbol. . Then what Leonardo created is essentially a visual representation of Plato love - a physical form is an external, external appearance of mental beauty. {332 | 333}