Two Giants of the Classical Period

What is the perfect sound of the two giants in the classical period? Does it even have sound? Whether the shape of art is perfect or not is asymmetrical in nature. How do you express beauty in music? Of course, there is no clear answer to these questions. But if we start looking for answers, the first place to search is the music of two great masters of the classical era, Franz Joseph Haydn and Wolfgang Amadeus Mozart. These composers have much in common with their music.

The famous department of ancient Greece was divided into several periods. The first relevant period was Greek Mycenae, followed by the Dark Age, Classical Greece, Alexander Age, and finally Hellenistic era. (Some of them include Alexander of the classical Greek era, but for the purposes of this article it will be considered quite different.) This is because of the central governance of the eastern Persian Empire It is quite contrasting. This is why self-exaggerated Persians got angry when they could not conquer Greece in 490 BC.

Before the Greek classical era became Greek dark ages (1200 BC - 800 BC), its archaeological features were primitive geometric and geometric styles of pottery design. After the age of darkness started old in the 8th century BC. In ancient times, the early development of Greek culture and society was seen and formed the foundation of a classical era. After ancient times, the classical era of Greece was generally thought to be from Greek invasion by the Persian in 480 until the death of Alexander the Great in 323. This period is characterized by later observers who think that this style is exemplary. For example, as the Parthenon temple shows, "classical". The Greek-Persian War of this period and the rise of Macedonia

Regarding Western music, the second half of the 18th century was often called the "classical" era; music of this era was thought to be quite different from the music of the Baroque era. However, the transition from baroque to classic is moderate. Three trends in the middle of the 18th century are behind this change. The first trend is called reform opera. Many composers are opposed to the clumsy customs of the Italian baroque opera they see. They want to lessen the interest in Italian opera more natural, more direct expression, more dramatic stories, and brilliant decoration of solo singers. The most successful composer is Christoph Willibald Gluck (1714-1787). The theme of renovation of opera is not new. Gluck's opera Orfeo ed Euridice talks about the legend of Orpheus, Orpheus of the famous Montville 150 years ago.