The 19th century British industrial revolution brought the greatest change to social, cultural and philosophical values. And this time saw the huge influence of art. This period brought about advances in materials, advances in scientific theory, and changes in social structure. Art and architecture are separated from the political and religious powers that used to determine the genre of art before, and artists can increase freedom to express themselves. With the prosperity and excitement of the new industry, people became uncertain about changing the times.
• Painting Impact: Painters like Turner and Constable want to express the sublime of visual art. They emphasize the power of nature elements and are studying the effects of various weather conditions on the landscape, but they are landscape painters. In a sense, they influenced the French Impressionists. • Emotions and instincts • Freedom of using imagination and aspirations beyond the limits of human beings. • The children are sacred and close to God. • The importance of the poet 's inner life, he is a traitor as well as a prophet. •Daily conversation. • Observe nature and everyday situations, see the Middle Ages
The second group of painters included extraordinary landscape painters: John Constable, William Turner and Casper David Friedrich. These artists use nature both as a source of inspiration and as a powerful symbol of their own individuality. Although their work is more than just a "pretty picture", it is a grand romantic spirit as a superb romantic spirit.
Joseph Marrotturner and John Constable are two highly respected British landscape giants. They are all influential representatives of Romanticism, an artistic movement that emphasizes emotional reactions to nature. According to the idea of romanticism, experience can be divided into three ways: beauty, landscape and sublimation. In a romantic sense, beauty is a perfect example of nature, things and scenes that make the most of its possibilities. Pictorial look of Constable and Turner era, encouraged to find the quality of natural landscapes that artists and the public can express in paintings: as an artist's landscape, not an accurate reproduction. Pictorious painters like painting like hoping to see the world through painting models and arbitrary controls