Turgenev

The major reform of Turgenev in 1860 caused the era of social and economic turmoil in Russia. Such an unstable period created the radical intellectual growth called an intellectual factor. These new reformers and extremists are the son and daughter of the head of state Russia. They reject the premise of the romantic generation of the 1940s as "refusing the superiority of reason as much as emotion" (Kishlanksy, Geary and O'Brien: 755) and other social, political, Russian emotional and spirit I want to eliminate the non-scientific proof of life.

Ivan Turgenev is one of Russia's largest writers of the 19th century. In his work, Turgenev is deeply concerned about Russian real problems at the time, such as the evolution of farmers and intellectuals, women's problems, the Russian population hierarchy. In his masterpiece "Father and Son," Turgenev emphasizes the big difference between descendants by describing their unique philosophical views and ideology of life. One day of the hero's Ivan Denisovich's life - Alexander Solzhenitsyn's belief in Alexander Solzhenitsyn is a self-stated Christian. However, according to some critics, this does not necessarily make him "Christian" (Schmemann 39). In the life of Ivan Denisovich, the principles of the Bible are clearly defined. Through Solzhenitsyn's view of the world, you can see that they are sacred creations, the essence of evil, and a belief in the future. Christian faith is rooted in faith

At first glance, Ivan Turgenev seems to be opposite Gogol. In 'Sketch of athletes' (1852), the simple usage of the word of Turgenev, his calm rhythm, and his bondage made it possible to distinguish him clearly from Gogol. Like Gogol, however, Turgenev is more interested in capturing the quality of people and places than building elaborate plots. However, the difference between the two Russians makes Turgenev more receptive to modern readers: Turgenev deliberately avoided artificial things. He may have brought a story of a ghost in a real scene ("Bezhin Meadow", 1852), but he did not try to introduce a ghost (as Gogol did in "The Overcoat" ). Indeed, Turgenev's loyalty is entirely on observation of withdrawal.